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Critical text

 Subject
Subject Source: Sackner Database

Found in 3307 Collections and/or Records:

New. No.25-26 / John Gill, Elaine Gill, editors ; Vangelisti P ; Lifshin L ; bissett b ; Lally M ; Deutsch J ; Berrigan T., 1975

 Item
Identifier: CC-51353-72442
Dates: 1975
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

New Observations: Ripple Effects: Painting and Language. No.113/Win / Susan Bee, Mira Schor, editors ; Bee S ; Schor M ; Rosen K ; Goldsmith K ; Pozzi L ; Tuttle R., 1996

 Item
Identifier: CC-27886-29025
Scope and Contents

This issue is devoted to artists who use language, text or writing in their work. In each essay, the artist describes his/her background with text and modes of creativity. Kenneth Goldsmith describes his sculpture "Steal This Book" based on Abbie Hoffman's book.This work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

New Orleans Review: An Other South; Experimental Writing in the South, Part II. No.1-2/Spr / Ralph Adamo, Bill Lavender, editors ; Leftwich J ; Lazer H ; Grumman B ; Berry J ; DiMichele A ; Elsberg J ; Brannen J ; Codrescu A ; Facknitz S ; Roberts DT., 1999

 Item
Identifier: CC-33100-34725
Scope and Contents

In this issue, Hank Lazar comments on Jake Berry's long poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

New Paintings / Orapallo, Dorothy., 1993

 Item
Identifier: CC-05334-5437
Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

New Poetry from California: Dead/Requiem / Arguelles, Ivan ; Foley, Jack ; Berry J., 1998

 Item
Identifier: CC-33068-34693
Scope and Contents

The cover was designed by Jake Berry. Stored with Jack Foley material. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

New Typefaces No. 7 / Hoefler Type Foundry, The., 2003

 Item
Identifier: CC-48532-69563
Dates: 2003
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

New Work / Weiner, Lawrence., 1992

 Item
Identifier: CC-00416-427
Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

New Works / Foulkes, Llyn., 1977

 Item
Identifier: CC-11435-11651
Dates: 1977
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

New Worlds: Russian Art and Society 1900-1937 / Elliott, David ; Burliuk D ; Chernikov I ; Chashnik IG ; Exter A ; Goncharova N ; Kamensky V ; Khlebnikov V ; Larionov M ; Lissitzky E ; Malevich K ; Mayakovsky V ; Popova L ; Puni I ; Stepanova V ; Udaltsova N., 1986

 Item
Identifier: CC-13362-13663
Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

New York Fractalise Peintures en 3 Actes / Stern, Bernard ; Restany P., 1991

 Item
Identifier: CC-02191-2231
Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

New York Fragments / At the Crossroads / Myslowski, Tadeusz., 1998

 Item
Identifier: CC-37027-38867
Scope and Contents

There is a major section in the book dealing with poems shaped in the form of a cross. Also, the several visual images depict deconstructions of the cross. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

New York Magazine. No.35/Sep / Holzer J., 1988

 Item
Identifier: CC-05532-5639
Scope and Contents

Critical essay on Jennie Holzer by Kay Larson. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

New York. No.27/Jul / Phillips T., 1987

 Item
Identifier: CC-05533-5640
Scope and Contents

Contains a review by Kay Larsen of Tom Phillips' "A Humument." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

New York Times Magazine, The. Jul., 1996

 Item
Identifier: CC-60300-10003300
Scope and Contents

The cover of this issue of Sunday Magazine of July 7, 1996 is a portrait photograph of Rimma Gerlovina and the six page article by Charles Siebert, "Effacing Ourselves - The Cuts That Go Deeper" is illustrated with five additional photographs by Rimma Gerlovia and Valeriy Gerlovin. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

New York Times Magazine, The. Oct., 1984

 Item
Identifier: CC-05520-5626
Scope and Contents

Article by D.J.R. Bruckner titled "Books Regain Former Glory," focuses on the rebirth of craftsmanship in the making of fine books by American and European presses such as Plain Wrapper Press, Arion Press, Glenfall Press, Red Ozier Press, Janus Press, Twinrocker Mill and Perishable Press. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

New York Times Magazine, The / Pettibon R., 2005

 Item
Identifier: CC-44128-46253
Scope and Contents

Michael Kimmelman contributes an essay, "The Underbelly Artist Raymond Pettibone draws on L.A.'s detrius. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

New York Writer. No.1/Win / levy da., 1989

 Item
Identifier: CC-05710-5817
Scope and Contents

Article "d.a. levy - The Life, Death & Legacy of a Poet" by Mike Golden inserted in magazine. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Next Word, The / Johanna Drucker, curator ; Barron S ; Bee S ; Bernstein C ; Berry J ; Carothers M ; Carson D ; Blackwell L ; Corris M ; Huth G ; Debevoise C ; Fella E ; Freeman B ; Goswell J ; Helmes S ; Hirschman J ; King S ; Laxson R ; Lederman SB ; Lehrer W ; Licko Z ; Ligorano N ; Reese M ; Lupton E ; Miller JA ; Lyons J ; MacLow J ; McCaffery S ; McVarish E ; Meador C ; Noble A ; Scher P ; Schor M ; Seagram B ; Sligh C ; Straus A ; Tardos A ; VanderLans R ; Weiss I ; Wolf A ; Zellen J ; Zimmerman P ; Zweig J ; Brewton J., 1998

 Item
Identifier: CC-30917-32372
Scope and Contents

The exhibition, subtitled "Text and/as Image and/as Design and/as Meaning," was an interdisciplinary exhibition of visual art, artists' books, graphic design, and visual poetry by artists who were examining the ways that texts and images produced meaning in contemporary society, specifically in the United States in the 1990s. In a detailed essay, the curator, Johanna Drucker writes, "In the late 20th century artists in all areas work with an awareness of the legacy of conceptual art's attention to language and idea, with pop art and postmodernism's interest in appropriating language and image from the realm of popular and consumer culture, and with the ongoing engagement of artists with a commitment to the traditions of innovative expression." The Sackner Archive lent twenty five works to this exhibition and are acknowledged in the curator's note. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Nine Essays on Concrete Poems [Paste-Ups] / Depew, Wally., 1974

 Item
Identifier: CC-53138-74290
Dates: 1974
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

No Longer Innocent: Book Art in America 1960-1980 / Bright, Betty ; Sackner MA ; Sackner RK ; Andel J ; Antin E ; Apollinaire G ; Apollonio U ; Ashbery J ; Baldessari J ; Beckett S ; Berman W ; Beube D ; Bigus R ; Blake W ; Blumenthal J ; Bonet P ; Breton A ; Brown J ; Burke C ; Burroughs WS ; Butler F ; Cage J ; Carrion U ; Castleman R ; Celant G ; Chen J ; Clay S ; Cobden-Sanderson TJ ; Cohen A ; Cohen EL ; Compton S ; Cornell J ; Coron A ; Creeley R ; Cros C ; Crotti J ; Cutts S ; Davids B ; Davids K ; Dorny B ; Duchamp M ; Dubansky M ; Drescher H ; Edelson MB ; Ely T ; Ehrenberg F ; Ernst M ; Feldman E ; Fish M ; Freeman B ; Gass W ; Ginsberg A ; Glier M ; Godine D ; Graham D ; Greenbaum M ; Grosz G ; Higgins D ; Hompson DD ; Hoyem A ; Iliazd ; Jackman S ; Johns J ; Johnston A ; Kaprow A ; Kiefer A ; King R ; King S ; Kirshenbaum S ; Klima S ; Kostelanetz R ; Kyle H ; Lacy S ; Lange G ; Lavater W ; Lerner A ; LeWitt S ; Lissitzky E ; Loeffler C ; Loewy F ; Lovejoy M ; Lyons J ; Maciunas G ; Magalhaes A ; Mallarme S ; McClure M ; McLuhan M ; Meador C ; Minsky R ; Moeglin-Delcroix A ; Moholy-Nagy L ; Munari B ; Nauman B ; Olson C ; Paik NJ ; Delaunay S ; Cendrars B ; Risseeuw J ; Rosler M ; Roth D ; Rodchenko A ; Rothenberg J ; Ruscha E ; Samaras L ; Schaer M ; Schwitters K ; Seitz W ; Siegelaub S ; Sligh C ; Smith K ; Smith P ; Spencer H ; Spector B ; Spoerri D ; Stauffacher J ; Steiglitz A ; Sterne L ; Stuart M ; Stokes T ; Snow M ; Steir P ; Tapies A ; Taylor T ; Tomkins C ; Traister D ; Tschichold J ; Tuttle R ; VanVleit C ; Verlaine P ; Wakoski D ; Wirth K ; Zimmerman P ; Wilson M ; Warhol A ; Walkup K., 2005

 Item
Identifier: CC-44882-47054
Scope and Contents The Foreword was written by Renee Reise Hubert & Judd D. Hubert. Amazon.com commented: "This important history of the artist's book, a flourishing form which over the years has often been greeted with confusion by critics, collectors, historians, and artists, aims to spell out its role in contemporary art and to claim for it a vital and heretofore unacknowledged status since the blossoming of the artform in the 70s. Renowned scholar and curator Betty Bright takes an inclusive view of the varied field in order to redress its marginalization, identifying three distinct types: the fine press book, the deluxe book, and the bookwork. She covers crucial supporters of the form, like New York's Center for Book Arts, Franklin Furnace, and the Visual Studies Workshop Press in Rochester, New York, as well as key organizations and figures in Chicago, Atlanta, San Francisco, and Los Angeles. Bright examines how artist's books have responded to specific movements, such as Pop, Fluxus, and...
Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

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