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Documentation

 Subject
Subject Source: Sackner Database

Found in 3474 Collections and/or Records:

New Music America 1986, 1986

 Item
Identifier: CC-05563-5670
Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

New Observations: Ripple Effects: Painting and Language. No.113/Win / Susan Bee, Mira Schor, editors ; Bee S ; Schor M ; Rosen K ; Goldsmith K ; Pozzi L ; Tuttle R., 1996

 Item
Identifier: CC-27886-29025
Scope and Contents

This issue is devoted to artists who use language, text or writing in their work. In each essay, the artist describes his/her background with text and modes of creativity. Kenneth Goldsmith describes his sculpture "Steal This Book" based on Abbie Hoffman's book.This work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

New Observations: Video. No.103/Nov-Dec / Ana de Portela ; Donegan C ; Gillick L ; Landers S ; Weiss C., 1994

 Item
Identifier: CC-52348-73471
Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

New Old Used Objects & Collages / Hutchins, Alice., 1990

 Item
Identifier: CC-09006-9183
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

New Publications: Autumn 1971 / Finlay, Ian Hamilton., 1971

 Item
Identifier: CC-12323-12549
Scope and Contents

One copy has ink additions presumably written by Finlay. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

New Publications: Autumn 1971 / Finlay, Ian Hamilton., 1971

 Item
Identifier: CC-52554-73686
Scope and Contents

The ink additions on the pages consisting of checks and the phrase "sold out" were presumably written by Ian Hamilton Finlay or his wife at the time, Sue Finlay. The numerical marks on the back cover were written by Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

New Times. No.22/Sep / Austin T ; Sackner MA ; Sackner RK., 1992

 Item
Identifier: CC-05625-5732
Scope and Contents

Tom Austin titles his article "Home Is Where the Art Is" and states in an interview that the "Sackner Archive renders the esoteric accessible." The essay traces the collection's origins and themes, defines concrete and visual poetry and documents the mentality of a collector. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

New Visual Culture of Iran / Abedini Reza, editor ; Wolbers, Hans, editor ; Javanbakht B ; Shiva G ; Abedini R ; Delvarai H ; Shahidi Z., 2006

 Item
Identifier: CC-46045-48753
Scope and Contents Grady Harp, April 06 Review Amazon.com. Reza Abedini, a graphic designer and professor at Tehran University, has collected an impressive number of works of contemporary photography, graphic design, and illustration to share in this very well designed book. Large in scale and size, this book contains over 150 pages of the finest in the illustrative arts, examples of which may be new to most readers. Though all of us know and respect ancient Persian art and decor, surely some of the most complexly beautiful art ever created, the current trends absorbing the minds and talents of Iranian artists is a fascinating mixture of poetry, humanistic statements and reactions to the nearly constant states of upheaval in this seminal land. In a tightly written but informative introduction Abedini shares a succinct history of the movements in art in Iran as the country passed through three generations of artists influenced by the 1979 revolution: those artists at the peak of their creative powers...
Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

[New Years Greeting] / Cutler-Shaw, Joyce., 2008

 Item
Identifier: CC-49224-70266
Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[New Years Greetings 1985] / Qotbi, Mehdi., 1984

 Item
Identifier: CC-53708-51041
Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

New York Magazine. No.35/Sep / Holzer J., 1988

 Item
Identifier: CC-05532-5639
Scope and Contents

Critical essay on Jennie Holzer by Kay Larson. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Newest Editions - Literary Sculpture - A Way with Words / Hensel, Susan., 2002

 Item
Identifier: CC-38785-40698
Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Newsletter: After Raphael. No.1/Feb / Tom Phillips., 1973

 Item
Identifier: CC-54512-989975
Dates: 1973
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

[Newsletter Fall 1968] / Merton, Thomas., 1968

 Item
Identifier: CC-30783-32229
Scope and Contents

In a mass mailing to friends, Merton announces that he is cutting down on writing and receiving letters and new writings as he leaves for Asia. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[newspaper advertisements] / Depew, Wally., 1983

 Item
Identifier: CC-58130-10001382
Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Newspaper Articles About] / Finlay, Ian Hamilton., 1988

 Item
Identifier: CC-12316-12541
Scope and Contents

Includes discussions of the National Trust's book Guide to Follies regarding Finlay's sculptural garden and the rejection of Finlay's commission for the city of Paris involving a monument to League of the Rights of Man. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Newspaper Blackout / Kleon, Austin ; Phillips T ; Burroughs WS ; Gysin B ; Johnson R ; Glover CH ; Gerner J ; Bervin J ; Rawle G ; Ruefle M ; Holmes J., 2010

 Item
Identifier: CC-55845-9999346
Scope and Contents Amazon.com: Poet and cartoonist Austin Kleon has discovered a new way to read between the lines. Armed with a daily newspaper and a permanent marker, he constructs through deconstruction"”eliminating the words he doesn't need to create a new art form: Newspaper Blackout poetry. Highly original, Kleon's verse ranges from provocative to lighthearted, and from moving to hysterically funny, and undoubtedly entertaining. The latest creations in a long history of "found art," Newspaper Blackout will challenge you to find new meaning in the familiar and inspiration from the mundane. Newspaper Blackout contains original poems by Austin Kleon, as well as submissions from readers of Kleon's popular online blog and a handy appendix on how to create your own blackout poetry. David T. Isaak review: I don't want to knock Kleon--what he has done here is quite clever and entertaining. And he admits that the technique is not original.But people who are interested in this as an artform need to look...
Dates: 2010
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

[nice to hear from you this morning ] (020265) / Houedard, Dom Sylvester; Sharkey JJ; Furnival J; Chopin H; Cameron C; DeCampos A; DeCampos H; Pignatari D; Williams J; Finlay IH; Burroughs WS; Themerson F., 1965

 Item
Identifier: CC-56746-10000122
Scope and Contents

This is a letter to John Sharkey suggesting contact information of several writers. In a handwritten additon Houedard suggests contacting "bob cobbing 262 Randolph Avenue (near Themersons) who sent this fine 'WRITERS FORUM POETS 7' of his sound poems." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[nicholas / fiona] / Houedard, Dom Sylvester., 1968

 Item
Identifier: CC-56515-9999919
Scope and Contents

On the recto of an envelope, Houedard has played with the letters in the names of Nicholas and Fiona Logsdale in four designated columns. They owned the Lisson Gallery in London. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Nicholas & Fiona [typed] (151168) / Houedard, Dom Sylvester., 1968

 Item
Identifier: CC-56292-59745
Scope and Contents

This poem is dedicated to Nicholas Logsdale and his wife Fiona, the owners of Lisson Gallery in London. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

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