Since the 1970's, Isaiah Zagar has covered more than 50,000 square feet of Philadelphia with stunning mosaic murals. In A Dream is a documentary feature film that chronicles his work and his tumultuous relationship with his wife, Julia. It follows the Zagars as their marriage implodes and a harrowing new chapter in their life unfolds. The metal figurine and poster were designed by Isaiah Zagar. -- Source of annotation: Marvin or Ruth Sackner.

This book is subtitled, "A Dictionary of Words That Don't Exist But Ought To." -- Source of annotation: Marvin or Ruth Sackner.

Houedard brings Cinicolo up to date with suggestions on whom to reach for showing new work including Cobbing, Cage and Mark Boyle. Houedard mentions his new lodgings and hopes Cinicola is "cashly better now & not starving." -- Source of annotation: Marvin or Ruth Sackner.

Houedard hopes that Cinicola's "arrangement with dr n works smoothly - I happen to know he can be very generous & accommodating." -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Cinicolo for the proofs he received writing "millegrazie for all work input & fine output." Also that he hopes to "hear soon from furnival" and "markboyle postcard cld be back cover & title cld be quote 'dsh: your work is a snowstorm in negative' (or whatever the phrase was)?' -- Source of annotation: Marvin or Ruth Sackner.

Houedard suggests that Charles Verey "use the foto of the kencox electric portrait of me that john furnival is using for the poster & card." He also writes that " i am quite happy for you [Cinicolo] to take all design initiatives." -- Source of annotation: Marvin or Ruth Sackner.

The message typed in red to Charles Verey reads "URGENT i shall try DEPEARTELY to send you extra info to bring bibliography &c up to date" -- Source of annotation: Marvin or Ruth Sackner.

The information typed in red to Charles Verey concerns Houedard's work for a catalog in production along with Antony Everitt and Chris Carrel. The card also contains two small optical black images typed with slashes and dashes. -- Source of annotation: Marvin or Ruth Sackner.

The information typed in red to Charles Verey concerns Houedard's work for a catalog in production along with Antony Everitt and Chris Carrel. The card also contains two small optical black images typed with slashes and dashes. -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes/types to Cincolo 3 about corrections to be made for catalog. Houedard closes the letter stating "however i suppose it is probably too late to do anything about it at all - if so then ok - it will certainly be quite all right - but it wld have been nice to use the markboyle card & quote it in title." -- Source of annotation: Marvin or Ruth Sackner.

Houedard continues to write/type to Cincola 3 about corrections to be made for catalog.His corrections are marked out in green ink through out the page -- Source of annotation: Marvin or Ruth Sackner.

Houedard continues to write/type to Cincola 3 about corrections to be made for catalog.His corrections are marked out in green ink through out the page -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes/types to Cincola 3 some comments about the illustrations for the catalog. He states "that all 10 have been selected from work done in the brief period of 17 days from 23 jan to 8 feb 1971 i have numbered the 10 illustrations in chronological sequence." Houedard also requests Cinicola to send the illustrations to John Cage. -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes/types to Cincola 3 "additional note by me to go on p.70." -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes/types to Cincola 3 "this is a lowercase abc i developed fr" m the ROBIN FARQUHARSON caps - you cld use this on cover? inside? Houedard then types an alphabet of upper case adn describes it as "the original caps abc by robin - he uses brackets too - i kept to slash &-dash." At the page bottom are examples of twon typed a's described by dsh as "infinely variable in size & weight" -- Source of annotation: Marvin or Ruth Sackner.

This box consiksts of a text is by Hans Hofmann. -- Source of annotation: Marvin or Ruth Sackner.

Provides pictures and comments of selected artist magazines as complete runs. Those held in part or in total by the Sackner Archive include the following: 0 to 9, Art For UM, Artpolice, Control Magazine, Culture Hero, Decollage, Diagonal Cero, File, Vile, Gesammelte Werke, KWY, Mela, Revue Nul=0, Revue Integration, Spur. -- Source of annotation: Marvin or Ruth Sackner.

This work is a radical change in visual imagery for Zellen, i.e., drawings rather than photographs but she still retains lettering in the work albeit now hand drawn in contrast to formal computer type lettering. The works that comprise Jody Zellen's works on paper from "Of a Lost Utopia," a gallery show at paul kopeikin gallery los angeles, are poetic meditations on the fragmented way she reads, retains and responds to the daily newspaper, using both old and new technologies. -- Source of annotation: Marvin or Ruth Sackner.

This book is subtitled "Esperanto rock stars, Klingon poets, Loglan lovers, and the mad dreamers who tried to build a perfect language." Or, "A zippy trip through the history of man's attempts to overcome the curse of Babel." It also includes a listing of 500 invented languages, language samples, and a bibliography. -- Source of annotation: Marvin or Ruth Sackner.

This copy was especially signed for the Sackners on their birthdays. -- Source of annotation: Marvin or Ruth Sackner.