Graphic design

[Cover Design for Pan] / Smithson, Robert., 1958

Item

Identifier: CC-29925-31314

Scope and Contents

This work is a design for a cover of the poetry magazine, Pan. The issue number is unspecified. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1958

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Cover of Washington Post Magazine July 25, 1999 / Hamady, Walter., 1999

Item

Identifier: CC-33647-35306

Dates: 1999

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Creative Typography / March, Marion ; Ionesco E ; Beckett S ; Fletcher A., 1988

Item

Identifier: CC-29328-30690

Scope and Contents

This is an essentially a "How To Do It Book" on typography design. Several projects with examples are presented to the reader. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Critique: Depth. No.11/Spr / Heller S., 1999

Item

Identifier: CC-32854-34467

Scope and Contents

Steven Heller contributed an essay on the graphic design work of Leo Lionni. The concrete poem on page 23 depicts fragmented letters of the word, "Napoli," to indicate the disintegrating ancient buildings in that city. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Critique: Special Web Issue. No.18/Dec., 2000

Item

Identifier: CC-36187-37970

Scope and Contents

This special issue for year end 2000 is a critique of web sites and was the final issue of the periodical. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Critique: The Big Crit. No.13/Fall / Scher P., 1999

Item

Identifier: CC-33526-35176

Scope and Contents

This issue includes award winning designs is several categories including packaging, advertising, brochures, type design and interactive media. The salome poster on page 45 is a good example of visual poetics integrated into graphic design. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Cubics: A Cubic Constructions Compendium / Slothouber, Jan, editor ; Graatsma, William, editor., 1970

Item

Identifier: CC-02196-2236

Scope and Contents

This book is concernewd with applications of the cubic image in design. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

d.a. levy / curry, jw., 1990

Item

Identifier: CC-20339-20736

Dates: 1990

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Dal Great Complotto a Luther Blissett / Ciani, Piermario, editor ; Baroni V ; Held Jjr., 2000

Item

Identifier: CC-35855-37616

Scope and Contents

Various authors contributed chapters on the following subjects: early optical and abstract paintings; AAA editions; verbal-visual reflections; early experiments with computer graphics; punk-new wave photo-documents; creative alterations; strange correspondences; female photo-portraits; stickerman. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Design Catalogue No.3: Design 1920 to Post-Modernism / Creed, Ann ; Baljeu J ; Cassandre AM ; Fuller B ; Heartfeld J ; Lissitzky E ; McLuhan M ; Fiore Q ; Mayer HJ ; Moholy-Nagy L ; Fletcher A ; Glaser M ; Sandberg W ; Tschichold J ; Zwart P ; Rodchenko A ; Stepanova V ; Bojko S ; Tolmer A ; Werkman HN ; Sutnar L ; Hulten P ; Marinetti FT ; Masson A ; Markov V., 1989

Item

Identifier: CC-16483-16836

Dates: 1989

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

design focus graphic / Ilic, Mirko ; Heller S., 1996

Item

Identifier: CC-44570-46723

Scope and Contents

Ilic often collaborates with Steven Heller. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Design & Style: Streamline: American Graphic Design of the Thirties. No.2 / Lissitzky E., 1988

Item

Identifier: CC-32075-33610

Scope and Contents This periodical was published twice yearly as a survey of historic design style and typography and its influence on contemporary graphic design. Various Mohawk papers and printing techniques were employed in this outstanding esthetically appealing example of graphic design. Design & Style's mission was to examine the relationship between printing technology and graphic style. The cover of this volume depict a cut-out version of a streamlined locomotive. The text traces the streamline style as deriving from "Modernism, as extolled by Futurism, Constructivism, De Stijl and Bauhaus, [that] was exported to America via books, annuals and the many proponents of the movement who emigrated to New York and Chicago, Their distinctly European ideas were wed to the developing American design forms, resulting in a pluralistic but distinct period style - a blend of the decorative and the austere, the modern and the moderne, the geometric and the biomorphic." -- Source of annotation: Marvin...

Dates: 1988

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Design Writing Research: Writing on Graphic Design / Lupton, Ellen ; Miller, J. Abbott ; Arnheim R ; Brodovich A ; Chwast S ; Crone R ; Debord G ; Derrida J ; Eckersley R ; Fella E ; Fuller B ; Grosz G ; Harper P ; Hoffman A ; Kruger B ; Cassandre AM ; Leary T ; Libeskind D ; Lubalin H ; McLuhan M ; Meggs P ; Morris W ; Neurath O ; Rand P ; Ray M ; Scher P ; Shahn B ; Strzeminski W ; Sutnar L ; Thompson B ; Tschichold J ; Tufte E ; VanDerLeck B ; Vignelli M ; Warde B ; Warhol A., 1996

Item

Identifier: CC-27249-27751

Scope and Contents Consists of a collection of essays about graphic design which were written between 1985 and 1995. The topics among others include decontructivism, written numbers, and history of styles, punctuations, ornaments, and alterations to typefaces. In a chapter entitled, Language of Dreams, the authors identify graphic differences among pictograph, ideograph, rebus, syllabary and alphabet. If stylized standing figures of a man and woman are depicted adjacent to each other, the pictograph symbolizes "man and woman" whereas the ideograph "toilets." Stylized images of a knife and fork placed next to each other symbolize "knife and fork" as a pictograph and "restaurant " as ideograph. A stylized standing figure of a man might signify "john" or a stylized front-view of an automobile "car" as a rebus. The alphabet letter 'A' might be depicted as a Martini glass, 'B' as a boat, etc. The final section of this book deals with a history of graphic design in America. -- Source of annotation: Marvin...

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Designing Busimess: Multiple Media, Multiple Disciplines / Mok, Clement ; Tufte E., 1996

Item

Identifier: CC-32998-34619

Scope and Contents

Clement makes the point in this book that businesses that "use the computing medium to provide valuable information and visual richness and to establish valuable relationships" will be the winners in business growth. He states, "Today, information is a product. When information is in the right hands, it can be translated through design into powerful products and services - and successful businesses." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Dimensional Typography / Miller, J. Abbott ; Warde B., 1996

Item

Identifier: CC-30153-31552

Scope and Contents

This book explores the spatial potential of typography in virtual environments. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Do You Remember? / Gitter, Muchael ; Anapol, Sylvie., 1996

Item

Identifier: CC-27911-29052

Scope and Contents

This book deals with commercial icons of the 1950's to early 1980's in colored illustrated pages put together with varied typefaces and font sizes. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

[Don't look at It, look to it.] / Sych, Paul., 1996

Item

Identifier: CC-27608-28685

Scope and Contents

The poster prints the title in varied and deconstructed typefaces. The typography is an example of the "new typography of the ninties." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats