Graphic design
Found in 486 Collections and/or Records:
Baseline 32 / Anonymous., 2000
Baseline 33 / Tissi, Rosmarie., 2000
Baseline 33 / Tissi, Rosmarie., 2000
Baseline. No.26., 1998
This issue includes an essay on Arabic computer-generated typefaces. -- Source of annotation: Marvin or Ruth Sackner.
Baseline. No.31 / Heller S., 2000
Steven Heller contributed an essay "Transfiguring the Swastika from Benign to Infamous." -- Source of annotation: Marvin or Ruth Sackner.
Baseline. No.41 / Heller S ; Prieto F., 2003
Steven Heller contributed an illustrated essay "Paper Bombs - the art of psychological warfare." The issue includes "A History of Writing: Non-Alpahbetical Systems of Writing" by Jeffrey Head that describes the History of Writing mural in the Grosse Pointe, Michigan Public Library created by Herbert Matter in 1962. An A-Z of digital typefoundries is contained in this issue. Francisca Prieto describes her three dimensional book objects in an illustrated essay entitled, "Antimatter." -- Source of annotation: Marvin or Ruth Sackner.
Baseline. No.42 / Schmid H ; Buchler R ; Heller S ; Armitage M ; McGurk R ; Ichiyama D., 2003
Dennis Ichiyama contributes an essay on the Hamilton Wood Type and Printing Museum in Two Rivers, Wisconsin. -- Source of annotation: Marvin or Ruth Sackner.
Baseline. No.45 / Mike Daines, Hans Dieter Reichert, editors ; Schmid H ; Daines M ; Heller S ; Archer C., 2004
Helmut Schmid contributes an essay about Kurt Hauert, "the line the form the sound." Mike Daines writes about "Latino vernacular in East Los Angeles." Steven Heller describes Rudolph de Harak in "A Playful Modernist." Mike Daines contributes "Learning from relationships - the typography e-Lexicon." Caroline Archer's essay is " St Bride and the Watford connection." -- Source of annotation: Marvin or Ruth Sackner.
Baseline. No.48 / Mike Daines, Hans Dieter Reichert, editors ; Heller S ; Archer C ; Baines P., 2005
Steven Heller contributes as illustrated essay "Dancing type and Music Videos" dealing with a student project in his class where the aim was to set the song to type. The results were concrete poetic expressions. Caroline Archer's essay "Body Types" charts the fascinating history of the use of the body as a message-carrier. -- Source of annotation: Marvin or Ruth Sackner.
Baseline. No.49 / Mike Daines, Hans Dieter Reichert, editors ; Heller S ; Hofman A ; Tschichold J ; Deffke W ; Archer C., 2006
Steven Heller contributes an illustrated essay "Wilhelm Deffke: Modern Mark Maker" that deals with an originator of the modern logograph. Caroline Archer reviews the underground magazine, "Oz." -- Source of annotation: Marvin or Ruth Sackner.
Baseline. No.50 / Mike Daines, Hans Dieter Reichert, editors ; Heller S ; Abedini R ; Daines M., 2006
Steven Heller contributes an illustrated essay "Wilhelm Deffke: Modern Mark Maker" that deals with an originator of the modern logograph. Caroline Archer reviews the underground magazine, "Oz." -- Source of annotation: Marvin or Ruth Sackner.
Baseline. No.53 / Mike Daines, Hans Dieter Reichert, editors ; Neuenschwander B ; Kurtz C ; Ingmire T ; Skarsgard S ; Burgert HJ ; Greenaway P ; Narborough N., 2007
Baseline: St Bride's Issue. No.15/Sum / Zwart P ; Werkman HN., 1990
This issue includes a review of Black Sparrow Press, particularly their book cover designs, a photo essay on Blackpool urban typography, the typographic designer Berthold Wolpe, the comic strip artist Will Eisner, and the cover essay on the St Bride's Printing Library. The latter collects any materials related to the printing trade. Mafaida Spencer 's essay contrasts the work of Piet Zwart" the designer" and Hendrik Werkman "the artist." The books depicted in this essay are 'Netherlands Cable Work' by Zwart and 'The Next Call' by Werkman, both held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Basic Typography: Design with Letters. Typografische Grundlagen: Gestaltung mit Schrift / Ruegg, Ruedi ; Bremer C ; Rand P., 1989
Bauhaus Drucksachen Typografie Reklame / Marzona, Edidio ; Fricke, M + R ; Fleischmann, Gerd., 1984
Extensively documented history of Bauhaus typography, posters and advertisements. -- Source of annotation: Marvin or Ruth Sackner.
Beatlemania / Levi F., 1978
Program for musical production with songs illustrated by Frank Levi in form of shaped poetry. -- Source of annotation: Marvin or Ruth Sackner.
Beauty of Circumstance, The / Dwyer N ; Kosuth J ; Lemieux A ; Broodthaers M ; Picabia F ; Lissitzky E ; Beuys J ; Rollins T+KOS ; Magritte R ; Warhol A ; Beuys J., 1987
The panphlet was designed by Nancy Dwyer. -- Source of annotation: Marvin or Ruth Sackner.
Between the Lines: Text as Image / Pietri, Pedro ; Homar, Lorenzo ; Gomez-Pena G ; Colo P., 2006
Pietro's artworks are an angry form of those written by Ben and the Fluxus group. -- Source of annotation: Marvin or Ruth Sackner.
Beware Wet Paint; Designs by Alan Fletcher / Fletcher, Alan ; Poynor R ; Myerson J ; Gibbs D., 1996
The title is taken from an aphrorism by Marcel Duchamp that reminds us that it takes time to judge the worth of a work - this book covers 35 years of Fletcher's work. Three contributors provide critical and documentary essays on Fletcher's work. In addition, Myerson comments on each of the graphic design works reproduced in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.
Bibendum: Concours International d'Art Contemporain pour le Centenaire de Bibendum / Dupont A ; Garcia-Mulet A., 1998
This catalogue was published for the 100th anniversary of the Michelin man, Bibendum. Albert Dupont contributed a Lettrist sculpture of the Michelin man as a genie and was mentioned as one of 25 artists awarded a "premiere selection." -- Source of annotation: Marvin or Ruth Sackner.