Scope and Contents

This is an instruction book for students on the application of typography in communication to promote revolution. Most of the examples depict bold face large letters for emphasis. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Both copies are missing pages 80-82 and 88-92 that do not appear to have been torn ou tof the catalogue.The missing poems are those by Jandl, Joshi, Katuje, Kolar and Kriwet. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

[see pdf for full text] Kenneth Goldsmith contributes a highly perceptive essay on the visuality of concrete poetry as compared to the visual arts. … -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book provides an excellent chronology of Brazilian concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book deals with a critical analysis of selected Brazilian concrete, neo-concrete and semiotic poems. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Presented as laureate thesis. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book is his laureate thesis. This second volume consists of a large number of photocopied illustrations to complement Volume I. The first section features international concrete poems, the second section Italian concrete poems, the third section predominantly Italian poesia visiva and the fourth section calligraphic visual poems. Miglietta folows these illustrations with analysid and critical comments on these poems.This thesis concludes with a listing of the birthdates of the poets and a bibliography. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book prints the original Italian text and the English translation. It provides definitions of concrete and visual poetry from different perspectives of the contributing poets and includes section that illustrates examples of their poems. With time, the pages have become detached from the binding but are in excellent condition. Owing to this situation, the book is stored within a clamshell box on the reference shelf. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The first section of this book deals with Morales Prado's definitions of experimental poetry together with an illustrated portion of 31 examples from ancient pattern poetry up to the Noigandres group of poets. This is followed by an anthology of examples in black and white and colored of concrete and visual poems. The final section of this book provides brief biographical and bibliographical information about each poet. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This catalogue features 53 essays on international aspects of visual poetry and individual poets. There are several poets cited in the essays whose works are not depicted in the exhibition. The essays deal with such topics as Mantova and visual poetry, political poetry dealing with war, visual poetry objects, futurism and Zaum, musical aspects of visual poetry, the periodical Lotto Poetica, Neoism, Oyvind Fahlstrom, constellations, Emilio Villa, Mario Diacono, Marcel Duchamp, calligraphic aspects of visual poetry, Quebec visual poetry, Carlo Belloli, Portuguese visual poetry, poema processo, Yugoslavian visual poetry, Carlfriedrich Claus, analysis of Brazilian concrete poetry, South American visual poetry, Gruppo 70, Joan Brossa, concrete and visual poetry in Japan, concrete poetry in England, Ezra Pound, e.e. cummings, Lettrisme, visual poetry in Spain, Francesco Conz, and collections of Paolo Berardelli, Francesco Conz, Adriano Parise, and Giuseppe Verzeletti. All of these essays...

Scope and Contents

This catalogue consists of colored photographic reproductions of works on paper, one or at the most two to a page. The covers of the two volumes have identical images but Volume 1 is rendered in black and white while Volume 2 is printed in color. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book contains several essays on definitions and aspects of poesia visiva and visual poetry by its contributors. A photographic reproduction of Miccini's collage, 'Viaggio tra le nuvole' (1967), a work held by the Sackner Archive is depicted on page 148 of this exhibition catalogue and the image is depictedaccompanying this record. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The exhibition focused on catalogues and documentation of poesia visivai. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The book begins with a timeline of the history of sound poetry tracing the literature, instruments, playing and treatises. It contains a descriptive analysis of the works of the major European sound poets with minimal attention to the works of non-European poets. -- Source of annotation: Marvin or Ruth Sackner.