Scope and Contents

This book includes a bibliography of 2099 sources which at the end of the list, Kessler concludes with "to be continued." However, the latter never happened!This book is also designated Band 30 od Deutsche Studien -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This anthology organizes Italian avant-garde poets within publication groups e.g., Ana Etcetera, TOOL, Geiger, Linea Sud, Marcatre, etc. -- Source of annotation: Marvin or Ruth Sackner.

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This book documents development of concrete and visual poetry in Latin America with accentuation on semiotic poetry. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue includes extensive, well illustrated essays on COBRA, Gutai, Movimento Nucleare, Pataphysica, Lettrisme, Fluxus, Visual Poetry, Sound Poetry, Vienna Action Theatre, Art & Language, Mail Art, and the Social Function of Art by writers such as Roberto Melchiori, Gino Di Maggio, Vittore Baroni, and Gianni-Emilio Simonetti. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The chapters dealing with the world-wide concrete poetry movement include Experimental Poetry and Poetic Experiences, Technical Styles, Alphabets and Calligraphy, Silences of Movement, Constellation, Text/Surface, and Bibliography. This is the 2nd expanded edition of the original published in 1969. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book was later published in an expanded 2nd edition. -- Source of annotation: Marvin or Ruth Sackner.

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Includes a reproduction of "TAPX" (Vol.2, p791), a letterpress print in the Tarkhanov collection of typographical works, held by the Sackner Archive. Stored on reference shelf apartment 1904. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue is oriented mainly toward the works that origninated in the various locations for Dada experimentation. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue provides one of the most intellligent reviews of concrete and visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Internet: Two cities and four institutional venues have more than one thousand works from various foundations and collections, with a total of one hundred and fifty Italian and foreign artists selected: these features make Visual Poetry the most important initiative dedicated to Visual Poetry, on the fiftieth anniversary of the founding of the Group 70 Florence, among the first and most effective propellers of this kind of art, who in 1964 coined the term, in fact, "Visual Poetry" in the climate of the turbulent bubbly and neo-avant-garde European Union. The Group was formed in '63 by Lamberto Pignotti and Eugenio Miccini, brought forward his artistic research in an interdisciplinary way, probing the possible relations between culture, language spoken, advertising and mass communication, between word and image, writing and painting, creating new meanings and complex systems, according to an idea of "‹"‹total art that characterized the research of various movements of the sixties...

Scope and Contents

It is noteworthy that there is no correspondence between the artist/poets listed as contributors because most rendered textural examples of visual poetry whereas the individual works on the unbound page depictedl images in black & white photographs. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackners participated in a marathon discussion about visual poetry held in conjunction with this exhibition that was subsequently broadcasted on Saarbrucken radio. The originals of Ruutsalo's ABC film depicted on pages 95 and 95 as well as prints and typings on pages 98-101 were purchased by the Sackners and are now held by the Sackner Archive. The book depicted on page 112 by Linda Christenell, Loterie Romaine 1 on page 126 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Includes illustrations of "A Journey," silkscreen prints by Emmett Williams; the originals are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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Includes two chapters dealing with Lewis' periodical "Blast;" this magazine is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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Intoduction by Richard Cork. Selected pages from the periodical "Blast" are reproduced. -- Source of annotation: Marvin or Ruth Sackner.

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The translation of the book was extracted from Qu'est-ce Que le Lettrisme (1953-1954) by Maurice Lemaitre. The stapled pages consist of other reprinted articles by Lemaitre. -- Source of annotation: Marvin or Ruth Sackner.

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This anthology is a collection of critical texts giving an overview of the was in which Situationism has been "historicized" in the Anglo-American world. Contributing writers include underground legends, art theorists, ultra-leftists and academics. Bob Black writes, ...Greil Marcus, after being tutored by pro-situ Tom Ward, ended the media blackout of situationism with an article in the Village Voice. Situationism was now on its way to becoming, if not quite a household word, an avant-hip buzzword. Marcus followed up on his article with the 1989 volume Lipstick Traces, an uncritical, disorganized, but not uninformative treatment of situationism, punk rock, etc...." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book, that has over 2000 well-selected black and white and color illustrations, is divided into three sections. The When section starts in the present and works back to the origins of writing. The Who section names, in alphabetical order, people and institutions that have contributed to typography as designers and inventors, teachers and calligraphers, entrepreneurs and theorists, publishers and artists, and schools and archives. The How section explores production of text and typography, with tools and aids such as the hand-axe, pen, chisel, etc. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue consists mostly of a large number of photographs documenting Fluxus performances in Wiesbaden, West Germany. -- Source of annotation: Marvin or Ruth Sackner.