Sound poetry
Found in 1295 Collections and/or Records:
Scampoli in Busta / Lora-Totino, Arrigo., 1996
This portfolio consists of facsimile reproductions of concrete poetic and calligraphic works created by Lora-Totini from 1975 -1995. All of these works are initialled by him with the date of the original publication. -- Source of annotation: Marvin or Ruth Sackner.
Scampoli in Busta / Lora-Totino, Arrigo., 1996
This portfolio consists of facsimile reproductions of concrete poetic and calligraphic works created by Lora-Totini from 1975 -1995. All of these works are initialled by him with the date of the original publication. -- Source of annotation: Marvin or Ruth Sackner.
Schrebgeransde / Axel George Malik., 2000
The sound of the compact disc is the sound of writing on paper. -- Source of annotation: Marvin or Ruth Sackner.
schuftiger; Rhythmus "poetic maveric" / Gerhild Ebel., 1994
The disc consists of sound poems spoken by Ebel set to music. -- Source of annotation: Marvin or Ruth Sackner.
Scorch Scores & In Line, 2015
Score, 1993
Score Broadsides: Body Sound Art Manifesto. No.O / Jean-Paul Curtay., 1991
Scratch / Sutherland, W. Mark ; Dutton P., 2002
Paul Dutton contributed an essay about Sutherland's work. -- Source of annotation: Marvin or Ruth Sackner.
Scribentische Alphabete, 2001
The hard cover book includes 15 hieroglyphic drawings uilizing Scherstjanoi's own alphabet that is explained in the book. The poem-drawings are sound poems. Each card depicts a single "letter" of the alphabet. The calligraphy resembles that of Albrecht Genin and Werner Hartmann. -- Source of annotation: Marvin or Ruth Sackner.
Scripps College Typography Class: Fab-ra-ka-shens (Fabrications). / Chalon Bridges ; Margaret Davis ; Annick Garcia ; Laura King ; Stacey Richmond ; Kitty Maryatt., 1989
Abstract images for the pages were first produced by means of a sandragraph process, i.e., from fabric stretched around a birch plywood block. The poems were then printed with letterpress over the abstract images. Concrete and visual poems were composed on the right-hand pages to depict the sound of moving fabric. The binding is a butterfly accordion style; pulling the foredge releases the pages for display purposes. -- Source of annotation: Marvin or Ruth Sackner.
Scritture lineari (pre-testi e trascrizioni), 1986
Sculpture Musicale / Cage, John., 1991
Seasonal Affective Order / Cobbing, Bob ; Upton, Lawrence., 1995
Second Aeon Travelling Circus Sampler / Finch, Peter ; Parfitt, Will ; Morgan, Huw ; Mercer, Dave ; Reid, Dave ; Morgan, Chris., 1980
Semeion / Satie, Alain., 1982
Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
September-Akademie / Schule fur Dichtung in Wien ; Jandl E ; Ruhm G ; Bauer W ; Czurda E ; Artmann HC., 1994
September Poems / Cobbing, Bob., 1968
Includes poems Oslo Solo, Fur Luke Fluke, dedicated to Fulcrum Press & Stuart, and p quiliar and a b...y z...i c...q d, first published in Poetsdoos No.7, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
September Poems with Oslo Solo / Cobbing, Bob., 1968
Sequence 30 & 32 / Cobbing, Bob., 1974 - 1975
The inscription by Cobbing on the envelope indicates that these are two originals fom Sequence 33-25 (1974-1975). -- Source of annotation: Marvin or Ruth Sackner.
Serious Dissertations on Something or Other / Cobbing, Bob., 1989
This is the second edition of the book first published earlier in the year. It consists of interviews devised with the cut-up technique. -- Source of annotation: Marvin or Ruth Sackner.