Text over text
Found in 673 Collections and/or Records:
Voices / Phillips, Tom; O'Regan T., 2006
This image is derived from the cover of a CD of choral works by Tarik O'Regan. -- Source of annotation: Marvin or Ruth Sackner.
Von der Magie des Schreibens / Spiegel, Herta., 1995
The book consists of examples and documentation of varied calligraphic styles utilized by the author. -- Source of annotation: Marvin or Ruth Sackner.
Vorwerk 1 & 2, 1991
Paragraphs of the text are added to newer paragraphs by overprinting in different horizontal and vertical arrangements with increased or decreased type faces and shadings of ink such that the final pages appear the most dense. -- Source of annotation: Marvin or Ruth Sackner.
[Walker Area Code 212] / Kotowitz, Victor., 1972
This print depicts a page of the white pages of the New York telephone directory with a text over text, scattered name "Wright" over the right lower section. -- Source of annotation: Marvin or Ruth Sackner.
Walls That Are Cracked: A Paralogue on Panels 1 and 2 of Steve McCaffery's Carnival / Bok, Christian; Wershler-Henry, Darren; Chan, Katy; Gomringer E., 1995
This work was published for the session on "Innovation and the Carnivalesque in Postmodern Canadian Poetry" at the Northeast Modern Language Association. The text is designed in short spaced paragraphs in two columns. The loose sheet contains variations of Gomringer's poem Silencio by Christian Wagenknecht. -- Source of annotation: Marvin or Ruth Sackner.
Wegdenken? / Elsas, Wolfgang., 1999
Wolfgang Elsas cards are grouped together as a card set. -- Source of annotation: Marvin or Ruth Sackner.
[Weidenhoff] / Leftwich, Jim., 2007
Whatever / Amrhein, Joe., 2005
The hand painted, multi-colored letters are listed vertically. Each word is a different typeface. The artist was a sign painter in his early career and the fonts clearly reflect varing commercial styles. The complete sentence reads, "Unraveling art historical tradition, or arguing with political correctness, or thinking only about painting, or fusing art history and modernity, or exploring the refractory nature of sexual desire, or whatever." -- Source of annotation: Marvin or Ruth Sackner.
When I Hear the Word Culture / Pyros, John., 1984
Windmills Enter Arms Race / Finlay, Ian Hamilton; Willcocks, Jonathan; Furnival J., 1967
This is a varient copy of a print with the same title in Finlay's portfolio Headlines:Eavelines. The overlaid text in this print as well as the colors differ from the print in the portfolio. The finished print has words printed in blue and bluish-purple and the varient copy is printed in green and light blue. -- Source of annotation: Marvin or Ruth Sackner.
Winter: Pressing Issues / Permanent Press ; Goldsmith K ; Fisher V ; Leska L ; Kahn R., 1993
Wir wuNschen Ejn is pannEndes und erFol ReiChes jAhr / Wichering, Ranier ; Leunig, Cornelia., 2001
The booklet serves as a New Years greeting and a means to document the history of the gallery. -- Source of annotation: Marvin or Ruth Sackner.
Wizuhu Cries Mice Up In Nests / Tomazos, Criton., 1973
Also designated Writers Forum #99. -- Source of annotation: Marvin or Ruth Sackner.
WMNF- FM Tampa, FL / Saunders, Robert., 1977
Woord / Beld / Werkelijkheid / Clavin, Hans ; Damen, Herman ; Van Dijk, Pier ; Joseph, Robert ; De Rook, G.J. ; Stikker, U.G.., 1974
The book is divided into sections for the individual poets; representive poems are printed one to a page. -- Source of annotation: Marvin or Ruth Sackner.
Word Paths / Stetser, Carol., 2010
The four prints are titled Word Paths and are numbered 1 to 4. The images incorporate the title in a grid of nine squares of varying found texts. -- Source of annotation: Marvin or Ruth Sackner.
Words To You / Rehfeldt, Robert., 1979
Wortbilder / Mon, Franz., 2010
WOW / Cobbing, Bob., 1973
writing / Hill, Crag., 1989
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.