Visual art
Found in 5481 Collections and/or Records:
Giovanni at 2 , 1995
Baroni's son is photographed next to a copy-art work with Vittore pictured at 3 showing a very strong resemblance. The background is the Baroni library. -- Source of annotation: Marvin or Ruth Sackner.
Gizmos / Freeman, Jane., 1992
Depicts a diorama. -- Source of annotation: Marvin or Ruth Sackner.
Glad Journeys and Joy in 2008 in a world at peace / Cutler-Shaw, Joyce., 2008
Glass Beret, 1995
The selected poems of Kitasano (1902-1978) reflect his range of styles, for he believed "that poetic activity consisted of more than simply writing poems. Kitasano stretched in multiple artistic directions, and at one time or another wrote stories and criticism, edited, painted, photographed, made short films, and even danced, while calling them all poetry." John Solt also writes in his introduction that Kitasano had first composed Concrete poetry as early as 1927 to 1929 as an offshoot of Futurist and Dadaist experimentation, At the request of the De Campos brothers in the 1950's, Kitasano wrote a new poem, "Monotonous Space" which was translated into English, Spanish, Portuguese and German. The illustrations are photographic reproductions of Kitasano's visual poems, and, semi-realistic and abstract line drawings. The photograph depicted on page 58 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Gleaner Zine ish, The: Finishing Touches. No.13., 2005
This is a feminist magazine oriented to information directed to women. -- Source of annotation: Marvin or Ruth Sackner.
Gli Arcani Maggiori, 1997
The poem by Caruso deals with Tarot cards; the print depicts one example. -- Source of annotation: Marvin or Ruth Sackner.
GLOUP: The Gloucestershire Group of Concrete and Visual Poets (incorporating the Gloster Ode Construction & Supply Co. Ltd.) / Moxham, Bernard, editor ; Furnival A ; Furnival J ; Cox K ; Houedard DS ; Verey C ; Clark TA., 2013
Box is labeled Bernard Moxham. In his forward Bernard Moxham writes, "Bob Cobbing issued a folder of visual poetry in 1974 entitled GLOUP and WOUP that featrued three artists living near Nailsworth in Gloucestershire: dom Sylvester Houedard, John Furnival and Kenelm Cox. GLOUP stood for GLOUcestershire grouP and included artists/poets who had diverse styles and ideas but who nevertheless coalesced in terms of their admiration for each others work..Although GLOUP existed for only a short period of time (John Furnival isadmant that it never really existed at all), now added to the original three members for this book are Astrid Furnival, Charles Verey and Thomas A Clark." -- Source of annotation: Marvin or Ruth Sackner.
Go Book: no.14 / Depew, Wally., 1973
The abstract designs are woodcut. No words appear in this booklet. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: no.15 / Depew, Wally., 1973
The word go and all the numbers of the 'go books are rubberstamped on individual pages.The abstract designs are woodcut. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: no.16-16 3/4 / Depew, Wally., 1973
The abstract designs are woodcut. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: no.19 / Depew, Wally., 1973
The rubberstamped words are go, flow, eequ and fly.The abstract designs are woodcut. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: no.21 / Depew, Wally., 1973
The letters S A U N T E R are rubberstamped, one to a page. The abstract woodvut designs are on individual pages. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: no.26 / Depew, Wally., 1973
The cover is rubberstamped GO 26. The pages of this book depict abstract woodcut designs. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: no.27 / Depew, Wally., 1973
The cover page is rubberstamped And. The pages of this book consist of abstract woodcut designs. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: no.28 / Special Issue #6 / Armeaux, Jean-Pierre ; Depew, Wally., 1970
The cover is printed in green ink. The pages consist of abstract woodcut designs.The final page is rubberstamped 'decay.'The duplicate copy has a black paper cover. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: no.32 / Special Issue #10 / Depew, Wally ; Jean-Pierre Armeaux., 1970
The beige cover is printed in green and red ink. The remaining pages of abstract designs are woodcut. The pages each contain a single letter for the word continue.Two pages are stamped with the word continue. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: no.34 / Depew, Wally., 1973
Permutations of the three rubberstamped letters 'RUN' are rubberstamped on several pages and other pages depict abstract woodcut designs. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: no.35 / Depew, Wally., 1973
Upper and lower case letters from A to K are rubberstamped on several pages followed by letters from L to M. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: no.35 / Depew, Wally., 1973
Upper and lower case letters from A to K are stamped on several pages followed by letters from L to M. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: no.38 / Depew, Wally., 1973
Each page depicts a woodcut arrow in varied configurations. -- Source of annotation: Marvin or Ruth Sackner.