Visual poetry
Found in 4850 Collections and/or Records:
Piccoli Crimini Nell'Erba / Mennitti-Paraito, Emanuele., 1985
Piccolo Chau / Carrega, Ugo., 1987
Text of painting reads "Io qui adesso respiro" or "I who at present... breathes" and is based upon a phrase by Marcel Duchamp. -- Source of annotation: Marvin or Ruth Sackner.
Pictogramma / Bentivoglio, Mirella., 1973
Includes essay by Gillo Dorfles. -- Source of annotation: Marvin or Ruth Sackner.
Pictographs / Keith, Bill ; McHugh B., 2000
Keith hand colored his trade edition book and added fragments of text, with West African cultural images, and integrated elements of music scores with the pictographs and signs. This book is hand colored and collaged by the Keith from his trade edition book designed by Bryan McHugh. -- Source of annotation: Marvin or Ruth Sackner.
Piecemeal Part Eight, 1989
Concluding essay by Harry Polkinhorn on Guy Beining's eight books. -- Source of annotation: Marvin or Ruth Sackner.
Piecemeal Part Five, 1989
Piecemeal Part Four, 1989
Cover design by Bob Grumman. -- Source of annotation: Marvin or Ruth Sackner.
Piecemeal Part One, 1988
Introduction by Harry Polkinhorn. Cover design by Bob Grumman. -- Source of annotation: Marvin or Ruth Sackner.
Piecemeal Part Seven, 1989
Piecemeal Part Six, 1989
Piecemeal Part Three, 1988
Piecemeal Part Two, 1988
Pietra Filosofale / Bentivoglio, Mirella., 1983
Pinspot 2 / Zellen, Jody., 1998
[Pipe Organ] / Cole, David., 1990
Commissioned for "The Beauty In Breathing" exhibition. This drawing deals with the relationship of creativity and rhythm in the arts and sounds made by breathing. -- Source of annotation: Marvin or Ruth Sackner.
Pittura Scrittura Pittura / Filiberto Menna, curator ; Fulvio Abbate, curator ; Matteo D'Ambrosio, curator ; Accame F ; Baruchello GF ; Binga T ; Blank I ; Capogrossi G ; Carrega U ; Cattania L ; Conte V ; Ferrari A ; Mussio M ; Novelli G ; Oberto A ; Twombly C ; Vermi A ; Accardi C ; Sanfilippo A ; Xerra W., 1987
In the introductory essay, Menna writes that "the intention of this exhibition is to trace the paths followed by gesture, and to examine the different and continually varying directions it takes in the fields of painting and writing. The two fields establish a reciprocal exchange, each from time to time acting as the dominant force though without ever expecting to rule the game alone." -- Source of annotation: Marvin or Ruth Sackner.
Pittura Tecnologica / Poesia Visiva, 1975
[PK], 2010
Pl / Aguiar, Fernando., 1992
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.