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New realism

 Subject
Subject Source: Sackner Database

Found in 50 Collections and/or Records:

La Memoire Insoluble / Villegle, Jacques., 2000

 Item
Identifier: CC-34982-36700
Scope and Contents

The exhibition consisted of recently made decollages and texts written in chalk on blackboards with distinctive typography. The latter was also utilized in the unique book by Villegle held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

La traversee Urbi & Orbi / Villegle, Jacques ; Miro J ; Baader J., 2005

 Item
Identifier: CC-44754-46920
Scope and Contents

The inscription to Marvin and Ruth Sackner is written in Villegle's classic calligraphic style -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005

Mimmo Rotella: American Icons and Early Work / Rosenberg, Karen., 2009

 Item
Identifier: CC-49743-70796
Scope and Contents

This review describes an exhibition at the Knoedler Gallery in New York. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Mimmo Rotella edited by Germano Celant / Rotella, Mimmo ; Celant G ; Malevich K ; Miro J ; Schwitters K ; Prampolini E ; Balla G ; Severini G ; Accardi C ; Duchamp M ; Twombly C ; Johnson R ; Rauschenberg R ; Fontana L ; Isou I ; Klein Y ; Kaprow A ; Hains R ; Villegle J ; Hausmann R ; Dine J ; Brecht G ; Warhol A ; Buren D ; Oldenburg C ; Indiana R ; Basquiat JM ; Haring K., 2007

 Item
Identifier: CC-49799-70855
Scope and Contents

This book was edited by Germano Celant who contributed a definitive essay on the life, work and influences of Rotella. The second section of the book depicts reproductions of the works of Rotella from 1946 to 2005. A copy of a handwritten sound poem, 20,000a, J.C, 1960 that is depicted on page 178, is held by the Sackner Archive, having been acquired from Emmett Williams in 1980. Two other handwritten Rotella sound poems that are not depicted in this book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007

Mots 1949-1998 / Villegle, Jacques., 1999

 Item
Identifier: CC-53312-100030
Scope and Contents

This card was an invitaion for an exhibition of Villegle's work in the gallery. The paper envelope that it was mailed in is stored in drawer cards/ -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Pages from 20th Century Italian Art / Sotheby's., 2007

 Item
Identifier: CC-47092-49831
Scope and Contents

These pages depict the images and auction prices for Rotella's decollages. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007

The Myth of Nouveau Realisme Art and the Performative in Postwar France / Cabanas, Kaira ; Aragon L ; Artaud A ; Barthes R ; Brau JL ; Breton A ; Cage J ; Cesar ; Debord G ; Derrida J ; Duchamp M ; Filliou R ; Hains R ; Isou I ; Tinguely J ; Jorn A ; Klein Y ; Lebel JJ ; Lemaitre M ; Malevich K ; Mallarme S ; Mathieu G ; Perec G ; Queneau R ; Rauschenberg R ; Restany P ; Spoerri D ; Rotella M ; Villegle J ; Williams E ; Wolman G ; Dufrene F ; Jouffroy A ; Tapie M ; Arman., 2013

 Item
Identifier: CC-56499-9999903
Scope and Contents Amazon.com: On October 27, 1960, art critic Pierre Restany named a group of Paris-based artists the "Nouveaux Realistes" (New Realists) in a founding declaration that stated, "The New Realists recognize their collective singularity. New Realism = new perceptual approaches of the real." Besides Restany, this group included Arman, Francois Dufrene, Raymond Hains, Yves Klein, Martial Raysse, Daniel Spoerri, Jean Tinguely, and Jacques Villegle. Their work incorporated consumer objects and new media in response to the postwar period's painterly modes and its burgeoning consumer and industrial society. However, they did not share a common avant-garde strategy.The Myth of Nouveau Realisme is a critical reassessment of this important neo-avant-garde movement. Kaira M. Cabanas offers an interdisciplinary account of their work and challenges the ideas of Restany, who mandated a "direct appropriation of the real." Cabanas posits that, for the Nouveaux Realistes, realism engaged...
Dates: 2013