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Musical notation

 Subject
Subject Source: Sackner Database

Found in 150 Collections and/or Records:

Melogramme / Ruehm, Gerhard., 1984

 Item
Identifier: CC-33466-35110
Scope and Contents

Each print depicts a simple, erotic line drawing of part of a female figure on music score paper. In one print both a female and male are srawn -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Melogramme / Ruehm, Gerhard., 1984

 Item
Identifier: CC-33467-35111
Scope and Contents

Each print depicts an erotic line drawing of a female figure on music score paper. This portfolio is missing the signed colophon page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Multiplication. Hypertheatrie, 1969

 Item
Identifier: CC-30420-31840
Scope and Contents

The printed images, black on a white background and white on a black background, appear to have been made with a monotyping (xerox-like) process. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Muse (sic) / Powell, David., 1989

 Item
Identifier: CC-04821-4914
Scope and Contents

The images on each page consist of visual poems with a music theme. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Musica e Altra Musica, 1992

 Item — Box 611: [Barcode: 31858072460854]
Identifier: CC-05214-5314
Scope and Contents

In this catalogue, a John Cage (1986) mesostic poem in homage to Ori is reproduced. Ori uses music staves as background for his visual images. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

mythos chronos logos, 2000

 Item
Identifier: CC-35023-36744
Scope and Contents Vamp & Tramp: An artist book in three parts, subtitled "Chance Chants," "Timing," and "Logic." In this layered study of language and consciousness, Laxson explores the spoken and printed (or written) aspects of alphabetic cultures and an eventual diminishment of image-making because it diluted the potency of words. The book moves in a nonlinear fashion (even through the more linear sections ). To greatly oversimplify: Laxson begins in prehistory symbolizing the beginning of language as an extension of image-making by a combination rebus/word map. As a concept of numerical ordering develops out of the collective chaos—"We're here in the land of scheming"— the individual (ego) takes the stage. Ultimately, an inherent richness and diversity of awareness is abandoned for one that can be explained in words—"She: We all lost our capacity for awe and wonder . . when we started writing about it. He: But writing glorified monotheism, individualism. It invented money, prose, drama,...
Dates: 2000

Natoblume, 2001

 Item
Identifier: CC-35788-37546
Scope and Contents

Andryczuk used found, antique sheet music as a the surface for his visual poetic, surrealistic drawings and collages. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

notionen / Silbernagl, Walter., 1972

 Item
Identifier: CC-55221-9998983
Scope and Contents

Each page depicts musical notations that appear to correspond to Heinz Gappmayr's concrete poetics who was colleague of Silbernagl. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

Opera recenti / Francia, Claudio., 2001

 Item
Identifier: CC-43372-45434
Scope and Contents

This catalogue depicts collages, assemblages, and objects made by Francia. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

Plume de Poete / Gut, Elisabetta., 1989

 Item
Identifier: CC-10059-10258
Scope and Contents

Plume de Poete, a relief which is depicted in this catalogue is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Plume de Poete / Gut, Elisabetta ; Bentivoglio M., 1989

 Item
Identifier: CC-10058-10257
Scope and Contents

Plume de Poete, a relief which is depicted in thIs catalogue, is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989