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Musical notation

 Subject
Subject Source: Sackner Database

Found in 148 Collections and/or Records:

Sounds & Scores / Dellafiora, David., 2009

 Item
Identifier: CC-50073-71133
Scope and Contents

This was described as a sounds amd visual recording project with students and artists collaborating. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Source: Music of the Avant-Garde: 1966- 1973 / Austin, Larry, editor ; Kahn, Douglas, editor ; Chiari G ; Ashley R ; Brown E ; Partch H ; Feldman M ; Cage J ; Hunt J ; Austin L ; Kahn D ; Behrman D ; Mizelle J ; Rzewski F ; Oliveros P ; Moran R ; Wolff C ; Higgins D ; Lunetta S ; Neuhaus M ; Corner P ; Christou J ; Rzewski F ; Sumsion C ; Rose B ; Hansel S ; Matusow H ; Hodell A ; Cobbing B ; Kriwet F ; Cross L ; Feldman M ; Lunetta S ; Garland P ; Reich S ; Braxton A ; Cardew C ; Brecht G ; Bryars G ; Friedman K ; Lunetta S ; Filliou R ; Paik NJ ; Amirkhanian C ; Marsh B., 2011

 Item
Identifier: CC-58720-10001952
Scope and Contents

This book is a reprinting of the original Score periodicals that are held by the Sackner Archive and is stored adjacent to them.Douglas Kahn wriets in the preface, "Source: music of the avant garde was a beautifully produced publication of new music scores, essays by composers and artists, statements, interviews, artworks, sound and concrete poems, photo essays, circuit diagrams, instrument designs, event reports, documents, and LP recordings. It appeared in eleven large-format issues from 1967 to1973, semiannually in runs of two thousand copies, and became internationally known among all those interested in new music. and related arts at the time. It is now an invaluable historical document - from an exciting period in the arts, technology, culture, and politics - for what is loosely called experimental music, new music, electronic music, and related developments in poetry, visual arts, and intermedia.." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011

Teatrino / Chiari, Giuseppe., 1974

 Item
Identifier: CC-18950-19329
Scope and Contents

Photographs in this book document a Fluxus musical performance. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

The Cliburn 2001 T-Shirt / Tom Phillips., 2001

 Item
Identifier: CC-36246-38034
Scope and Contents

Tom Phillips was invited to exhibit his works related to music during the Van Cliburn competion. The image on the shirt as on the poster designed by Phillips is titled "Drawing on Music." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

The Cliburn 2001 T-Shirt / Tom Phillips., 2001

 Item
Identifier: CC-36246-38034
Scope and Contents

Tom Phillips was invited to exhibit his works related to music during the Van Cliburn competion. The image on the shirt as on the poster designed by Phillips is titled "Drawing on Music." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

The Linear Tiger / Stadum, Lynn., 1990

 Item
Identifier: CC-02121-2159
Scope and Contents

At the end of this unsigned book, the author writes "...disclaims any knowledge of music." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

This is Visual Poetry. No.76/Jun / Joel Chace., 2012

 Item
Identifier: CC-55656-9999256
Scope and Contents Joel Chace has published work in print and electronic magazines such as 6ix, The Tip of the Knife, Counterexample Poetics, OR, Country Music, Infinity's Kitchen, and Jacket. He has published more than a dozen print and electronic collections, most recently Sharpsburg, from Cy Gist Press, and Blake's Tree, from Blue & Yellow Dog Press. Individual pages of this visual poetry sequence have appeared in the following publications: On Barcelona, quarter after, and Word For/Word. The cover image, entitled itsstory 3, originally appeared in Lettere Grosse. Joel says: "Its story is a developing sequence of texto-visual poetry that I began a decade or more ago and that has taken on various lives since then. Until this year, all of the versions have been textual only, though all of them have been quite experimental in terms of formatting. It finally occurred to me that the very subject matter of the sequence demanded an even more radical visual presentation. Perhaps radical musicality is...
Dates: 2012

Transpositions / Presser, Elena ; Sackner MA ; Sackner RK., 1988

 Item
Identifier: CC-39001-40938
Scope and Contents

This exhibition was composed of the Goldberg Variations, lent by Elena Presser, and, the Anna Magdalena Bach Notebook, lent by the Sackner Archive. Critical essays were contributed by Elena Presser and Rosalyn Turek, the Bach scholar and musician. The director, Elsa Weiner Longhauser, describes the Sackner Archive as "a brilliant, comprehensive collection and Presser's work a rare tour de force." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Trisegno, Il: Riappatire. No.12/Apr / Giuliano Zosi., 1983

 Item
Identifier: CC-01326-1357
Scope and Contents

Edited by William Xerra. Issues No.9-12 are packed within same box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

[Untitled], 1989

 Item — Folder 49: [Barcode: 31858072537834]
Identifier: CC-01763-1799
Scope and Contents

The collage depicts a line drawing of a woman done in blue crayon on the surface of papers printed in different languages. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

[Untitled] , 1986

 Item — Box 326: [Barcode: 31858072490927]
Identifier: CC-21589-22000