Xerox art
Found in 356 Collections and/or Records:
[Print from Echtzeit Exhibition] / Olbrich, Jurgen O.., 1988
[Print from Echtzeit Exhibition] / Olbrich, Jurgen O.., 1988
Processual 2 / Cobbing, Bob ; Cobbing, Jennifer., 1983
Jennifer Cobbing is also known as Jennifer Pike. -- Source of annotation: Marvin or Ruth Sackner.
Processual 3 / Cobbing, Bob., 1983
Processual Notation / Cobbing, Bob., 1983
(Processual) One / Cobbing, Bob., 1982
According to Cobbing, this work refers to "random snippets from works in progress." -- Source of annotation: Marvin or Ruth Sackner.
Processual Spin-Off / Cobbing, Bob., 1983
Processual Spin-Off Two / Cobbing, Bob., 1985
Pseudopoem - Prototype, 1985
Pseudopoems, 1985
Publications En Photocopie / Bille, Phillipe., 1989
Push-Machinery. No.19 / Daniel f. Bradley, editor ; Bradley Df ; curry jw ; Copithorne J ; Beining G ; Evason G ; Berry J ; lopes d ; Roldan e., 1992
The photocopied cover that depicts female nudes and a transvestite was done by jw curry. -- Source of annotation: Marvin or Ruth Sackner.
Push-Machinery. No.21 / Daniel f. Bradley, editor ; Bradley Df ; Astman B ; UU D ; Ball N ; lopes d ; Kettner M ; Venright S ; Murphy S ; Marin G ; Tyler S., 1996
David UU's booklet in this publication, Ingrid of the Thousand Eyes, has a completely different cover than the other copies in the Sackner Archive. Further, the first page is printed correctly here rather than the slight error in the other copies. Some other booklets in this periodical have unconventional covers and are printed on pages from commercial publications. -- Source of annotation: Marvin or Ruth Sackner.
Push-Machinery: thr out. No.2 / Daniel f. Bradley., 1986
Puzzle Writing / tentatively, a convenience., 1996
Raddle / Cobbing, Bob., 1989
Re: Views: Re: Sponses / curry, jw; Adler J; Maki W., 1973 - 1980
These are reviews of books by Jeremy Adler and William Maki done in a style of experimental writing. They appeared in a book of the same title published by Runaway Spoon Press, Port Charlotte, Florida, 1991 and in Score No.5. Both of these works are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.