Scope and Contents

This book reviews international small press publications of alternative art with emphasis on visual/verbal imagery from 1968-1988. The bibliography includes a listing of the Sackner Archive catalogue and is divided into 1) art/poetry movements, e.g. Fluxus, Conceptual Art, Concrete and Visual Poetry, Mail Art, Artistic Rubberstamps, Xerox Art, etc. as well as 2) listing periodicals by alphabetical order and country of publication. Perneczky also lists Art Archives holding such materials. It is noteworthy that the publication of this book was supported by the George Soros Foundation. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Several of the images on the cards and prints incorporate the equation, Art=MC2, others deal with correspondence art. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Edited by Geza Perneczky. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Edited by Geza Perneczky. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The booklet was written byHegyi Lorand and consisted of an essay entitled "Trans-Avantguarde. This issue 3 contains Artpool's Art Tour of 1982 that went to Kassel, Documenta. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The inserted booklet is Tom Johnson's "Imaginary Music" that has been translated to Hungarian. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Perneczky provides essays on definitions and history of Assemblings as well as in depth analysis of individual publications in this heavily illustrated book. He adds personal vignettes on collecting several of these publications. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Underground In contemporary society this is a wider concept applied to social stratification. It usually refers to groups less educated and less classified than the civil majority and their mainstream establishments, which function 'beneath' or independently of the latter. Related words include 'parallel or alternative societies/layers', 'second publicity', 'resistance', 'opposition', 'subculture', etc. Henceforth I shall mostly refer to the artistic underground, which I understand, on the one hand, as artistic community which is excluded from art organizations and the art business and hence is often relegated to social insecurity, and, on the other, as the artistically interested layers of intellectuals, students or sympathizers In special cases (such as in an era of political repression) professional artists may also belong to the artistic underground. Another frequent occurrence has been that representatives of the art establishment freely choose to move towards the underground,...

Scope and Contents

This is a reprint of a supplement to Arte Postale! 85 that was assembled by Baroni a7 E.O.N. in "2001 The Mail Art Year Of The Virtual Land." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition was curated by Geza Perneczky who also wrote the introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

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Contains listing of several Eastern European underground periodicals. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work consists of the responses to a questionaire on Mail Art Archives sent to the recipients by Ferranto. Some of the collectors also indicated that their collections were for sale. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Lists multiples, publications, prints, catalogues and ephemera of artists books. -- Source of annotation: Marvin or Ruth Sackner.