Cage, John
Dates
- Existence: 1912-09-05 - 1992-08-12
Found in 8 Collections and/or Records:
Conversation without Feldman / Cage, John ; Barnard, Geoffrey ; Feldman M ; Wolff C., 1980
Danses Tracees / Brown T ; Cunningham M ; Cage J., 1991
Exhibition consisted of historic and experimental dance and music scores. -- Source of annotation: Marvin or Ruth Sackner.
Ear Magazine East: 10th Anniversary Special Issue. No.1-2 / Cage J ; Anderson B ; Gibson J ; Porter B ; Friedman K ; LaBarbara J ; Frank P ; Knowles A ; Gordon C ; Adorno O ; Paik NJ ; Hayman R ; Curtay JP ; Johnson T ; Gerlovina R ; Tragtenberg L ; McCaffery S ; MacLow J ; Gerlovin V ; Neuhaus M., 1983
This issue presents a world-wide survey of avant garde music scores with documentation by the composers that forms a logical sequel to Cage's book "Notations" Something Else Press. -- Source of annotation: Marvin or Ruth Sackner.
Etchings 1978 - 1982 / Cage, John., 1982
Etchings l978 - l982 / Cage, John., 1982
[Interview with Pierre Restany] / Hubaut, Joel ; Brian Holmes, translator ; Satie E ; Cage J., 1996
Consists of a critical introduction of Hubaut's work by Restany followed by an interview of Hubaut which was the subject of a conference held March 28, 1994 at l'l.U.F.M. di Calvados. Restany begins his remarks, "...Joel Hubaut, for he is among the protagonists of the third generation of the postwar period, someone who, precisely, has also identified his work with life. Life, for Joel Hubaut is above all a linguistic phenomenon... Language is like life, it has highs and lows..." -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: The Luminous Object: Video Art/Video Theory. No.2/Jul / Hans Breder, Herman Rapaport, editors ; Zurbrugg N ; Paik NJ ; Kuspit D ; Kostelanetz R ; Maciunas G ; Beuys J ; Higgins D ; Brecht G ; Ben ; Cage J ; Wilson R ; Vostell W ; Viola B ; Sherk B ; McLuhan M., 1995
Nam June Paik in his interview with Nicholas Zurbrugg points out differences between the academic and creative people in video art. The layout in this issue is highly experimental with a concrete poetic sensibility. -- Source of annotation: Marvin or Ruth Sackner.
Yes, No, Maybe / Judith Brodie, curator ; Adam Greenhalgh, curator ; Cage J ; Close C ; LeWitt S ; Marioni T ; Mehretu J ; Owens L ; Steir P., 2013
Internet: Masterpieces, the cliche goes, spring fully formed from the dark imaginations of temperamental geniuses moved by intuition, inspiration, and epiphany. Such revelations can certainly fuel the creative process, but so too can auspicious accidents, false starts, or even failures. In printmaking, these occurrences are typically recorded in preliminary impressions known as working proofs. Printmaking thus affords an exceptional opportunity to examine this complex and contingent aspect of the creative process. Yes, No, Maybe looks at sequences of artistic choices by juxtaposing fully resolved prints and related working proofs produced at the influential studio Crown Point Press between 1972 and 2010. This catalogue also provides background information for the proof copies of Tom Phillips Dante's "Inferno" that are held by the Sackner Archive, -- Source of annotation: Marvin or Ruth Sackner.