Yes, No, Maybe / Judith Brodie, curator ; Adam Greenhalgh, curator ; Cage J ; Close C ; LeWitt S ; Marioni T ; Mehretu J ; Owens L ; Steir P., 2013
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Scope and Contents
Internet: Masterpieces, the cliche goes, spring fully formed from the dark imaginations of temperamental geniuses moved by intuition, inspiration, and epiphany. Such revelations can certainly fuel the creative process, but so too can auspicious accidents, false starts, or even failures. In printmaking, these occurrences are typically recorded in preliminary impressions known as working proofs. Printmaking thus affords an exceptional opportunity to examine this complex and contingent aspect of the creative process. Yes, No, Maybe looks at sequences of artistic choices by juxtaposing fully resolved prints and related working proofs produced at the influential studio Crown Point Press between 1972 and 2010. This catalogue also provides background information for the proof copies of Tom Phillips Dante's "Inferno" that are held by the Sackner Archive, -- Source of annotation: Marvin or Ruth Sackner.
Dates
- Creation: 2013
Creator
- Brodie, Judith (Person)
- Greenhalgh, Adam (Person)
- Cage, John (Person)
- Close, Chuck, 1940- (Person)
- LeWitt, Sol, 1928-2007 (Person)
Extent
0 See container summary (1 hard cover book (239 pages) in dust jacket) ; 26.9 x 22.6 x 3 cm
Language of Materials
From the Collection: English
Physical Location
shelf alphabetical
Custodial History
The Sackner Archive of Concrete and Visual Poetry, on loan from Ruth and Marvin A. Sackner and the Sackner Family Partnership.
General
Published: Washington, D.C. : National Gallery of Art. Nationality of creator: American. General: Added by: MARVIN; updated by: MARVIN.
Genre / Form
Repository Details
Part of the The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry Repository
125 W. Washington St.
Main Library
Iowa City Iowa 52242 United States
319-335-5921