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Critical text

 Subject
Subject Source: Sackner Database

Found in 235 Collections and/or Records:

A Grammar of Metaphor, 1958

 Item
Identifier: CC-31625-33125
Scope and Contents

The author analyzes metaphors used by poets from the renaissance to Dylan Thomas. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1958

A Temple of Texts, 2006

 Item
Identifier: CC-60651-10003522
Scope and Contents From Publishers Weekly: Gass loves words. His prose is extravagant, lush, sometimes overly florid (as when he talks of Flann O'Brien's death on "the first Fools' Day of April, 1966"), and in this new collection, his words have a tendency to get in the way of his subject matter. Which is a shame, because Gass, a novelist and award-winning critic, writes about books and authors often ignored by mainstream readers: Rabelais, Robert Burton, Elias Canetti. Then again, Gass doesn't write for the mainstream. He is the strangest of academic amalgams: a self-professed lover of the avant-garde as represented by Gertrude Stein, Flann O'Brien and Robert Coover, while at the same time he extols the virtues of what he calls "the classics." His definition of classic is, to be sure, expansive, but he applies an old-fashioned standard to all literature, declaring the need for those classics as the basis for a varied literary diet. Despite the occasional gem, such as a touching, if rambling, tribute...
Dates: 2006

A True Interaction, 2005

 Item — Box 316: [Barcode: 31858072490810]
Identifier: CC-43728-45818
Scope and Contents

This essay traces the history of concrete and visual poetry through time and geography, including poesia visiva, fluxus, lettrisme, futurism, pattern poetry, constructivism and vorticism. It was written as an introduction to an exhibition catalogue of the four artists/poets. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005

A Void, 2013

 Item
Identifier: CC-59802-10002857
Scope and Contents

Stored in Chopin box. Amazon.com: Since the 1960s, conceptual artists Henri Chopin (Pairs-London), Guy de Cointet (Paris-Los Angeles) and Channa Horwitz (Los Angeles) have dedicated themselves to analyzing system deducing the rules and consolidating them into visible structures. This book accompanied the parallel where drawings by these three respected artists generate new meaning as the aesthetic-visual translation of early post-structuralist thought. A Void, taken from George Perec's experimental novel, which famously did not include the letter 'e' as a nod to language epistemological constraints. Riffing on this idea, the artists' works seem clearly embroiled in such systems of meaning-making. Horwitz's on the boundary of symbol and performance, while Chopin explored the line between chaos and order. de Cointet left behind an oeuvre characterized by codes and puzzles for future generations. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013

A ZBC of Ezra Pound, 1971

 Item
Identifier: CC-22260-22682
Scope and Contents

Brooke-Rose discusses E. Pound's use of language and literary technique, his treatment of sources and influences. Considerable discussion of Pound's use of ideograms in "The Cantos." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Abrapalabra, 2001

 Item
Identifier: CC-38751-40662
Scope and Contents

Omar Khouri contributes an introductory essay about De Araujo's poems. The web address of the Sackner Archive is listed under places with more of De Araujo's work. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

Absurdomudo, 1997

 Item
Identifier: CC-30526-31954
Scope and Contents

This book reproduces de Araujo's concrete and visual poems, many of which have appeared in correspondence art exhibitions. One page is glued to another in this book and the following advice is rubberstamped on the covering page in English and Portuguese: Scrath/Violate /Unstick/Tear/Expose/Perforate/Injure/Cut/Detach/Etc, part of the paper(s) and make your own art/poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Aimless Wandering, 1993

 Item — Box 340: [Barcode: 31858072491255]
Identifier: CC-24190-24642
Scope and Contents

Text deals with Taoism. Hakim Bey is a non-de-plume for Peter Lamborn Wilson who also contributed issue 53 of le point d'ironie (also held by the Sackner Archive). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Alchimia della Scrittura: Opere 1963-1995, 1995

 Item
Identifier: CC-20658-21060
Scope and Contents

Nine books and drawings held by the Sackner Archive are depicted and annotated as "Collezione privata, Miami Beach" in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Alighiero e Boetti , 2011

 Item
Identifier: CC-54247-643135
Scope and Contents Amazon.com: "Alighiero e Boetti (1940-1994) has emerged as one of the most significant figures of postwar European art whose practice is having an unfolding impact on younger artists. His powerful influence can be attributed to the material diversity of his work, its conceptual ingenuity, and his political sensibility. His work, though usually associated with the Italian Arte Povera group and Conceptual Art, has never quite fit into these contexts. Boetti ceased making Arte Povera--type objects in 1969 after a few years of association with the group, and his later choice of materials (embroidery, calligraphy, mosaic, kilims) put a gulf between his work and that of most artists of the 1970s and 1980s."The author, Mark Godfrey, is a curator at Tate Modern in London and a former lecturer at the Slade School of Art, University College London.Boetti had an idiosyncratic style of working, and he often collaborated with or commissioned others to execute his ideas, including his celebrated...
Dates: 2011

An Anthology of Asemic Handwriting, 2012

 Item
Identifier: CC-58435-10001653
Scope and Contents

The editors take a libersl view of asemic writing including surrealism, lettrisme, an COBRA works in this anthology. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2012

An Attempt at Exhausting a Place in Paris, 2010

 Item
Identifier: CC-51577-72676
Scope and Contents

Amazon.com: "One overcast weekend in October 1974, Georges Perec set out in quest of the "infraordinary": the humdrum, the non-event, the everyday--"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one cafe window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and driving-school cars caught in their routes; the pigeons moving suddenly en masse; a wedding (and then a funeral) at the church in the center of the square; the signs, symbols and slogans littering everything; and the darkness that finally absorbs it all. In An Attempt at Exhausting a Place in Paris, Perec compiled a melancholic, slightly eerie and oddly touching document in which existence boils down to rhythm, writing turns into time and the line between the empirical and the surreal grows surprisingly thin." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

An Introduction to the Theory and Practice of Letterist Painting As Exemplified in the Oeuvre of Maurice Lemaitre, 1976

 Item
Identifier: CC-13256-13557
Scope and Contents

The paper in this book was presented at the first International Symposium on Letterism. Mentions that James Joyce was Isou's earliest inspiration. This book is stored in a Lemaitre box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Apparatus, 1981

 Item
Identifier: CC-17235-17593
Scope and Contents

Every Revolution Is a throw of the Dice by Daniele Huillet and Jean-Marie Straub describes the process of making "A Throw of the Dice..." by Mallarme into a film. Cha had a short life (1951-1982). She was murdered months after her marriage by a security guard in the Tuck Building NYC. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981