The theme of this exposition is revelations and transformations of public spaces and visions of artists and architects. The cover is a reproduction of a street performance event of Joel Hubaut where all the vehicles are red and all the participants walking around a public fountain are dressed in red. -- Source of annotation: Marvin or Ruth Sackner.

The drawing of two tables with large perforations at the site of the intended place settings was done on a dinner announcment for an artist performance event. Hubaut was a participant in this event as well as Jean Pierre Raynaud. -- Source of annotation: Marvin or Ruth Sackner.

Hubaut drew an image of a WW 1 two winged airplane flying with a pilot over the announcement of his exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This is an announcement card for an art fair that was intensively altered by Joel Hubaut. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition dealt with a multi-media installation about one of Hubaut's complex machines, entitled Bo-U. -- Source of annotation: Marvin or Ruth Sackner.

This issue deals with Hubaut's installation piece in Toulouse. The newsletter includes a reproduction of the poster, diagram of the work, biography of Hubaut and a cover portrait of Hubaut in a pink wig and glasses. It also cites other artists who made pink artworks for the Toulouse exhibitions in the past. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue presents the monochromatic art works of Hubaut who writes that he constructs his "sites" from given or borrowed objects donated by a public, often isolated from the art millieu. Further, producing visually aesthetic and seductive monochrome sites reveals the disorder in the world and the hierarchical tensions and ideological significance of the colors. Hubaut has made ideographic drawings on the inside front cover and title page of this copy. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue presents the monochromatic art works of Hubaut who writes that he constructs his "sites" from given or borrowed objects donated by a public, often isolated from the art millieu. Further, producing visually aesthetic and seductive monochrome sites reveals the disorder in the world and the hierarchical tensions and ideological significance of the colors. -- Source of annotation: Marvin or Ruth Sackner.

Every object, person, item of clothing in this installation reproduction is colored pink. Joel Hubaut himself is pictured in the center with a pink wig, wearing sunglasses and holding a pink pig. Poster versions of this print are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Every object, person, item of clothing in this installation reproduction is colored pink. Joel Hubaut himself is pictured in the center with a pink wig, wearing pink sunglasses and holding a pink pig. A print version of this poster is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Depanne Machine is the designation for Jean-Marc Baude and Nelly Gerouard. -- Source of annotation: Marvin or Ruth Sackner.