This painted self portrait is a maquette for a poster announcing Hubaut's exhibition at Centre Cultural, Cherbourg March/April, 1989. The poster is also held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Drawing deals with Hubaut's ideas of multimedia. -- Source of annotation: Marvin or Ruth Sackner.

This drawing was given to the Sackners by Hubaut during his stay as a house guest in Miami forthe Tour de France/Florida exhibition at the Frost Museum. -- Source of annotation: Marvin or Ruth Sackner.

This is a drawing for a poster. It was given to the Sackners during his stay in their apartment for his performance during the celebration of an exhibition entitled, "Tour de France/Florida" held at the Frost Museum in Miami in January 2012. Several works made by Hubaut were lent to the exhibition by the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

The image is used on a CD music recording case with the title JB. -- Source of annotation: Marvin or Ruth Sackner.

The logograph depicts Hubaut's hieroglyphics in his typical personal style. Six panels are lined up as a vertical column. The size of the hieroglyphics is micrographic at the top and enlarges to a readable size at the bottom. -- Source of annotation: Marvin or Ruth Sackner.

This is a maquette for an exhibition by Joel Hubaut "Ubologie" held at the Centre d'Art Contemporain, Chateau Gontier in 2012. The Sackner Archive also holds the limited edition poster for this event. -- Source of annotation: Marvin or Ruth Sackner.

This is an announcement for an artist book exhibition by many artists that was curated by Caroline Corre onto which Hubaut altered the verso with a monochromatic green drawing. -- Source of annotation: Marvin or Ruth Sackner.

Subtitled "Art as Micropolitics, a Mirror of Contemporary History," Hubaut drew ideograms on its cover. The title "Big Flick/Flick/Show" is written in ink at the top and "Epidemic Error" at the bottom of the cover. -- Source of annotation: Marvin or Ruth Sackner.

Inscribed that this tape is a recording of sound poetry performance at Galerie Lara Vincy, Paris, in February 1993. -- Source of annotation: Marvin or Ruth Sackner.

Drawing is a preparatory sketch for a poster announcing a performance. -- Source of annotation: Marvin or Ruth Sackner.

The drawing was done on the facing pages of the Table of Contents. The book consists of critical analysis of Hubaut's work by Restany, Lebel and Frank, reproductions of polaroid photographs featuring Hubaut performing in his white jacket painted with distinguishing signs, and comments by Hubaut on these photographs. Forty-eight reproductions of colored polaroid photographs constitute a section of this book. All have the identical format and are printed on a black background. The photographs are centered, one to a page. The caption "hobby or not hobby -- mon dada comme un violin" is printed at the top of each page in white. The caption "epidemie completement d'ingres" is printed in white at the bottom of the page. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of critical analysis of Hubaut's work by Restany, Lebel and Frank, reproductions of polaroid photographs featuring Hubaut performing in his white jacket painted with distinguishing signs, and comments by Hubaut on these photographs. Forty-eight reproductions of colored polaroid photographs constitute a section of this book. All have the identical format and are printed on a black background. The photographs are centered, one to a page. The caption "hobby or not hobby -- mon dada comme un violin" is printed at the top of each page in white. The caption "epidemie completement d'ingres" is printed in white at the bottom of the page. -- Source of annotation: Marvin or Ruth Sackner.

Four full color pages are dedicated to the work of Hubaut. -- Source of annotation: Marvin or Ruth Sackner.

Depicts sculpture of Hubaut. -- Source of annotation: Marvin or Ruth Sackner.