Hubaut, Joël, 1947-
Parallel Names
- Hubaut, Joel, 1947-
Nationality
French
Found in 288 Collections and/or Records:
Videogrammes / Hubaut J., 1998
Vine a Veure / Ferrando B ; Vilar N ; Hubaut J., 1994
Visual Poetics: Art and the Word / Hubaut, Joel., 2003
Hubaut drew his ideograms over the cover of the exhibition announcement for the Visual Poetics show; the Sackners lent the majority of works including two by Hubaut. -- Source of annotation: Marvin or Ruth Sackner.
Wedding Invitation for Anabelle Hubaut and David Michael Clarke / Hubaut, Joel., 2003
The cover of the invitation to the marriage of Anabelle Hubaut and David Clarke was designed by the bride's father, Joel Hubaut. The Sackners attended the festivities in Normandy, France in April 2003. -- Source of annotation: Marvin or Ruth Sackner.
[White Self-portrait] / Hubaut, Joel., 1996
This piece is an example of Hubaut's body of work pertaining to monochromatic themes in which he himself becomes part of the art work. Hubaut is dressed in a outlandish white hat with a white female nude sculpture on it. His face, neck and legs are painted with white dots, and he is wearing a white chef's coat, no pants, white boots, and is standing in front of an opened white refrigerator filled with white food products, holding a woman's white purse. -- Source of annotation: Marvin or Ruth Sackner.
[Yellow Maquette] / Hubaut, Joel., 1996
The elements in this collage have a yellow color and include among others a woman, worker, train, puppy doll, lemon, and target. -- Source of annotation: Marvin or Ruth Sackner.
Z'A / Hubaut, Joel., 2001
The image is Joel Hubaut in a Japanese kimona and wig, holding a plastic toy rabbit. -- Source of annotation: Marvin or Ruth Sackner.
Z'A Zone' Alterite / Hubaut, Joel ; Hubaut A., 2001
For this project Joel Hubaut rearranged products of a Japanese supermarket. He wanted to produce the following project: list the products in the supermarket above which Le Parvis is located, not by activity sector but by colour. Even if supermarkets invariably adopt the same presentation of their goods because it's convenient, it is still quite possible to rethink the shelves on the basis of other criteria, and alter the way things are arrayed. Duchamp dealt with the 'declassification' by giving the object a new environment. Here it's the objects which, themselves, make up this new environment." -- Source of annotation: Marvin or Ruth Sackner.
Additional filters:
- Subject
- Visual/verbal 81
- Performance poetry 65
- Visual art 53
- Visual poetry 36
- Documentation 35
- Calligraphic text 30
- Sound poetry 29
- Music 18
- Neo-Dada 18
- Artist book 10
- Critical text 10
- Conceptual art 8
- Abstract markings 6
- Signs 6
- Stamp art 6
- Video poetry 6
- Diagram 5
- Found poetry 5
- Illustrated book (mass produced) 5
- Manifesto 5
- Worded photograph 5
- Artist book (limited edition) 4
- Calligraphic markings 4
- Concrete poetry 4
- Correspondence art 4
- Ideogram 4
- Logograph 4
- Political poetry 4
- Rebus 4
- Artist book (mass produced) 3
- Colored text 3
- Conventional poetry 3
- Exhibition review 3
- Fluxus 3
- Surrealism 3
- Alphabetical text 2
- Dada 2
- Food art 2
- Hieroglyphics 2
- New realism 2
- Pataphysica 2
- Acrostic 1
- Aphorism 1
- Artist book (citation) 1
- Comic strip art 1
- Computer art 1
- Conceptual text 1
- Conventional non-fiction 1
- Experimental fiction 1
- Film 1
- Fragmented text 1
- Haiku 1
- Illustrated book 1
- Invitations 1
- Language art 1
- Map 1
- Political text 1
- Pop-up 1
- Pre-Mallarme work 1
- Reference text 1
- Repetitious text 1
- Scatologic 1
- Text over text 1 + ∧ less