Photograph portrays Hubaut adjacent to wind vane. -- Source of annotation: Marvin or Ruth Sackner.

This announcement card depicts a drawing of a pressure cooker by Hubaut on its verso. -- Source of annotation: Marvin or Ruth Sackner.

Photograph portrays Hubaut in a garden. -- Source of annotation: Marvin or Ruth Sackner.

This booklet lists artistic events by several artists and groups in Nantes, France from 2000-2001. Hubaut's exhibition of pink monochromes is described on pages 38-39. Hubaut drew text and signs upon these pages. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition of mail art as listed on the stapled pages was held as an homage to Claude Pelieu who produced the collages depicted in this catalog. -- Source of annotation: Marvin or Ruth Sackner.

This is one of two components of the maquette for the poster, "Les Tetines Noires." This is the collage element for printing the poster. -- Source of annotation: Marvin or Ruth Sackner.

Preparatory drawing for an announcement of performance by Hubaut at L'Ancienne Poste, Calais. -- Source of annotation: Marvin or Ruth Sackner.

This painted self portrait is a maquette for a poster announcing Hubaut's exhibition at Centre Cultural, Cherbourg March/April, 1989. The poster is also held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The image is used on a CD music recording case with the title JB. -- Source of annotation: Marvin or Ruth Sackner.

Subtitled "Art as Micropolitics, a Mirror of Contemporary History," Hubaut drew ideograms on its cover. The title "Big Flick/Flick/Show" is written in ink at the top and "Epidemic Error" at the bottom of the cover. -- Source of annotation: Marvin or Ruth Sackner.

The drawing was done on the facing pages of the Table of Contents. The book consists of critical analysis of Hubaut's work by Restany, Lebel and Frank, reproductions of polaroid photographs featuring Hubaut performing in his white jacket painted with distinguishing signs, and comments by Hubaut on these photographs. Forty-eight reproductions of colored polaroid photographs constitute a section of this book. All have the identical format and are printed on a black background. The photographs are centered, one to a page. The caption "hobby or not hobby -- mon dada comme un violin" is printed at the top of each page in white. The caption "epidemie completement d'ingres" is printed in white at the bottom of the page. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of critical analysis of Hubaut's work by Restany, Lebel and Frank, reproductions of polaroid photographs featuring Hubaut performing in his white jacket painted with distinguishing signs, and comments by Hubaut on these photographs. Forty-eight reproductions of colored polaroid photographs constitute a section of this book. All have the identical format and are printed on a black background. The photographs are centered, one to a page. The caption "hobby or not hobby -- mon dada comme un violin" is printed at the top of each page in white. The caption "epidemie completement d'ingres" is printed in white at the bottom of the page. -- Source of annotation: Marvin or Ruth Sackner.

Four full color pages are dedicated to the work of Hubaut. -- Source of annotation: Marvin or Ruth Sackner.

Photograph depicts Hubaut's father holding a rabbit. -- Source of annotation: Marvin or Ruth Sackner.