This catalogue was published as reprint of the original 1973 book and consists solely of photographs of Carl Andre's home town of Quincy, e.g., monuments, stone quarries, discarded railway tracks, etc. There is no text. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue consists solely of photographs of Carl Andre's home town of Quincy, e.g., monuments, stone quarries, discarded railway tracks, etc. There is no text. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was carried out as a homage to Georges Perec. -- Source of annotation: Marvin or Ruth Sackner.

These three items are all held by the Sackner Archive and were part of this auction. -- Source of annotation: Marvin or Ruth Sackner.

This book includes two offset prints by Peter Roehr and Herman de Vries as well as other multiples by less known artists. The exhibition was organized by Peter Roehr and Paul Maenz. Each copy is unique as each is printed on a different sheet of commercially designed, rubberized plastic. Karl Lueg who contributed to this exhibition later changed his name to Karl Fischer and became an art dealer. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Maurice Tuchman and Stephanie Barron. This catalogue contains seventeen essays that provide a radical rethinking of abstraction with special attention to the pioneers of nonrepresentational art. The exhibition focuses on what the artist intended his painting to mean rather than how it looked. " By offering clues to the now-hidden meanings of abstract art, it helps make the esoteric accessible and the obscure visible, illuminating not only the art but also the spiritual beliefs that nourished it." -- Source of annotation: Marvin or Ruth Sackner.

The concrete poem on the title page reads, "The void enclosed by the squares of three four and five." The poem is also reproduced on the back cover in a different shape. -- Source of annotation: Marvin or Ruth Sackner.