Scope and Contents

This catalogue was published as reprint of the original 1973 book and consists solely of photographs of Carl Andre's home town of Quincy, e.g., monuments, stone quarries, discarded railway tracks, etc. There is no text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue consists solely of photographs of Carl Andre's home town of Quincy, e.g., monuments, stone quarries, discarded railway tracks, etc. There is no text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition was carried out as a homage to Georges Perec. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

These three items are all held by the Sackner Archive and were part of this auction. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book includes two offset prints by Peter Roehr and Herman de Vries as well as other multiples by less known artists. The exhibition was organized by Peter Roehr and Paul Maenz. Each copy is unique as each is printed on a different sheet of commercially designed, rubberized plastic. Karl Lueg who contributed to this exhibition later changed his name to Karl Fischer and became an art dealer. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The exhibition was curated by Maurice Tuchman and Stephanie Barron. This catalogue contains seventeen essays that provide a radical rethinking of abstraction with special attention to the pioneers of nonrepresentational art. The exhibition focuses on what the artist intended his painting to mean rather than how it looked. " By offering clues to the now-hidden meanings of abstract art, it helps make the esoteric accessible and the obscure visible, illuminating not only the art but also the spiritual beliefs that nourished it." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The concrete poem on the title page reads, "The void enclosed by the squares of three four and five." The poem is also reproduced on the back cover in a different shape. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Stephen Leiber offers the following description. "Collage element on pages 1-16, 18, 20, 23-27 and 30. Rubber stamp element on pages 8 and 10. Transparency included before page 16. Glossy red page included before page 21. Includes loose-leaf inventory of works. Contributions by R. Jacks, W. van Amen, C. Andre, J. Beuys, M. Boezem, C. Boltanski, D. Buren, M. Cardena, Christo, R. Crozier, G. van Dijk, P. Engels, H. Eijkelboom, K. Friedman, A. Gerritsen, K. Gubbels, W. Gijzen, R. Hamilton, D. Higgins, T. Mew, M. Nannucci, R. Nonas, A. Rainer, D. Roth, Y. De Smet, A. Souza, E. Tot, T. Ulrichs, B. Vautier and W. Vostell. Signed by Peter Van Beveren in black felt pen. Edition of 500. Number 94. Very good condition minus photograph that has separated from page 23. 12 x 8.5. 30 pages. During the preparation for my exhibition The Archives, the idea originated to publish an artist book instead of a catalogue. Thirty artists were invited to design one page, specially for this book. Some sent...

Scope and Contents

This book is the catalogue for the retrospective exhibition for Schippers in the Centraal Museum, Spring 1997. It includes documentary material of his Fluxus works, publications, radio shows and performances. Overlaping texts were printed in red (Flemish) and green (English) such that the opposite colored acetate sheet must be placed over the text in order for the selected language to be solely rendered visible. The envelope contains small paper reproductions of Schippers' works from the book. The presentation of text and images in this book that depend upon superimposition of colored acetate sheets is uncommon - this is the only book in the Archive so produced. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Consists of 2 lists: part 1 - Apparently the Known Universe Is Not in Turquoise after All and part 2 - In Fact the Cosmorama is Clothed in Beige. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The letters of the typings in this exhibition made with an IBM Selectric electrical typewriter were done in lowercase Letter Gothic font. -- Source of annotation: Marvin or Ruth Sackner.