Scope and Contents

This catalogue lists individual and group exhibitions of conceptual art as well as artists books. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This sheet was provided by Emmett Williams and may refer to the exhibition locations for the three books published by 0 to 9 Books in 1979. It lists many artists, collectors, and critics. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Buzz Spector contributes essay on Mail Art. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition and catalogue was curated by Harald Szeemann; Charles Harrison organized the London exhibition. This catalogue consists of a suite of 78 single leaves with photo and biographical information of the artists and their works, alphabetically arranged with cardboard thumb index. This is the Second enlarged edition of the famous Szeemann catalogue on conceptual art. The exhibition was held in the Kunsthalle Bern (Switzerland) in March and April 1969 and moved to London in the fall of the same year, where the show was curated by Charles Harrison and sponsored by Philip Morris Europe, as stated on the title leaf of the present catalogue. As Charles Harrison explains in his forword, the London catalogue was supplemented without withdrawal of any material from the original catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue was edited by Mark Coetzee, curator of the Rubell Family Collection. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Editorial Review: "Carl Andre (born 1935) was a poet before he was an artist, and between 1960 and 1965 he produced a substantial body of innovative visual poetry. Arranging language on paper as carefully and as sculpturally as he was later to arrange pieces of metal or bricks on the floor, Andre approached words as adjustable entities, to be moved around within the limits of the space of the sheet of paper. These works, made during the height of the international Concrete poetry movement, appeared alongside his sculptures in exhibitions and were excerpted in scholarly writings about the artist. With this volume, Andre's influential poetic oeuvre is now gathered comprehensively for the first time. The poems, which were often typed on 8 x 11 paper, are reproduced in quasi-facsimile, to convey Andre's sculptural intentions. Also included are essays by art historians Gavin Delahunty and Valerie Mavridorakis, and curator Lynn Kost."This book accompanied an exhibition, Carl Andre:...

Scope and Contents

This catalogue was published as reprint of the original 1973 book and consists solely of photographs of Carl Andre's home town of Quincy, e.g., monuments, stone quarries, discarded railway tracks, etc. There is no text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue consists solely of photographs of Carl Andre's home town of Quincy, e.g., monuments, stone quarries, discarded railway tracks, etc. There is no text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition was carried out as a homage to Georges Perec. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The letters of the typings in this exhibition made with an IBM Selectric electrical typewriter were done in lowercase Letter Gothic font. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue lists Fluxus publications as well as individual and group exhibitions of conceptual art . -- Source of annotation: Marvin or Ruth Sackner.