Hirschman, Jack A., 1933-2021
Found in 9 Collections and/or Records:
Black Alephs: Poems 1960-1968, 1969
Black Alephs: Poems 1960-1968, 1969
This book was designed by Asa Benveniste. There are three black and white photographic reproductions of Verifax images done by Wallace Berman who also designed the cover. -- Source of annotation: Marvin or Ruth Sackner.
Black Alephs: Poems 1960-1968, 1969
This book was designed by Asa Benveniste. There are three black and white photographic reproductions of Verifax images done by Wallace Berman included in this book who also designed the dust jacket. -- Source of annotation: Marvin or Ruth Sackner.
Four Angels in Profile, Four Beasts in Full Face, 1976
The poems by Kohav were translated by Hirschman. The covers were drawn by Tom Loretta and the figurative line drawings within the book by Tom Loretta and S. Kaner. -- Source of annotation: Marvin or Ruth Sackner.
Four Angels in Profile, Four Beasts in Full Face, 1976
The poems by Kohav were translated by Hirschman. The covers were drawn by Tom Loretta and the figurative line drawings within the book by Tom Loretta and S. Kaner. -- Source of annotation: Marvin or Ruth Sackner.
Front Lines, 2002
Also designated Pocket Poets Series No.55. Agnetta Falk contributed a calligraphic visual portrait rendering of Hirschman. -- Source of annotation: Marvin or Ruth Sackner.
Igitur by Stephane Mallarme, 1974
The black and white photograph by Wallace Berman on the cover depicts a frontal view of a man or mannikin with the face completely obscured by smoke. -- Source of annotation: Marvin or Ruth Sackner.
Songs and Poems / Glick, Hirsh ; Jack A. Hirschman, translator ; Zachary Baker, translator., 2010
Jack Hirschman contriburtes an introductory essay describing Glik's poems and songs as personifying the creed of Partisans against Nazism particularly in Vilna , Lithuania. "When the news of the Waqrsaw Ghetto uprising reached the Vilna ghetto, it inspired Hirsh to write his famous song-poem "Zog Nit Keynmor (Don't Ever Say)"... In a short time and with amazing speed, Hirsh Glik's song became the anthem of the Resistance: It swept through the ghettos and camps and became known as "the Song of the Partisans." -- Source of annotation: Marvin or Ruth Sackner.
