levy, d.a., 1942-1968
Parallel Names
- Levy, D. A.
- Levy, DA
Nationality
American
Found in 26 Collections and/or Records:
465: An Anthology Of Cleveland Poets, 1966
Barking Rabbit, 1976
The cover was designed by TL Kryss and the print within the book by m. schaefer. -- Source of annotation: Marvin or Ruth Sackner.
Cleveland Undercovers, 1966
The cover of this copy was designed by dagmaR. Sixty-five copies had "freak covers." According to an essay in Congress No.1, this book was seized by Cleveland Police for obscenity from Asphodel Book Store in 1966. -- Source of annotation: Marvin or Ruth Sackner.
Fragments of a Shattered Mirror, 1963
According to Kent Taylor in a personal communication (1997) to the Sackners, this was d.a levy's first book. Further, he believes that "Dave" in the inscription was Dave Williams, a boy friend of Taylor's first wife, levy's cousin, Joan. Several copies were destroyed from the run and Jim Lowell estimated that only 10-15 copies remained intact. -- Source of annotation: Marvin or Ruth Sackner.
Mind, 1966
levy indicates that this piece is to be published in the next Marrahwanna Quarterly. -- Source of annotation: Marvin or Ruth Sackner.
More Withdrawed or Less, 1963
According to Kent Taylor in a personal communication (1997) to the Sackners, this was d.a levy's third book. The individual pages comprising the book are printed with different colored inks but all pages are the same dimensions. The cover is a light gray with the title printed on three lines. This is the first printing of the book. The Sackner Archive also holds the "second printing" of the book that has major differences in conten and layout. According to Jim Lowell, only 10 to 15 copies are extant. -- Source of annotation: Marvin or Ruth Sackner.
More Withdrawed or Less [second printing], 1963
This second printing of the book differs greatly from the first printing and should probably be considered a revision. The Sackner Archive also holds the "first printing" of the book. The title is printed on a single line of the white paper cover in this version. There are fewer poems in the second page and a center section for leaves of smaller dimension than the rest of the book. -- Source of annotation: Marvin or Ruth Sackner.
North American Book of the Dead, Parts 1 & 2, 1965
The theme of this poem (with many typographic errors) deals with Zen and a hallucinatory trip to an afterlife place whose description was inspired by the Tibetan Book of the Dead. -- Source of annotation: Marvin or Ruth Sackner.
Paracutes, 1966
The cover drawing (gouache, watercolor) was made by maRa. The two issues have distinctly different images. Printed by d.a. levy who ran this press. -- Source of annotation: Marvin or Ruth Sackner.
Poem For Beverly, 1968
Poem For Julie, 1967
Poems from Mind Jail, 1967
Printed by d.a.levy. Also designated Persecuted Poet Series #3. Tom Kryss made the silkscreen cover. -- Source of annotation: Marvin or Ruth Sackner.
Prose: on poetry in the wholesale education and culture system (second printing), 1968
PROSE on poetry in the wholesale education & culture system (first printing), 1968
Stone Sarcophagus, 1970
Suburban Monastery Death Poem, 1968
The cover design by Barb O'Connelly was made from a mimeo-stencil cut with a can opener. -- Source of annotation: Marvin or Ruth Sackner.
Suburban Monastery Death Poem [reprint], 1976
Cover photos by Mark Kaufman. Second zero edition. -- Source of annotation: Marvin or Ruth Sackner.
The Day Is A Prayer They Can't Understand, 1967
The abstract oil painting on brown paper that is collaged onto cover was done by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.
The Day Is A Prayer They Can't Understand, 1967
Collage cover of photographic b&w reproductions of female nudes was composed by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.
The Gun Child, 1968
d.a. levy did the cover drawing that depicts abstract markings. This book is stored in a d.a. levy box. -- Source of annotation: Marvin or Ruth Sackner.
