In a note at the end of the book, McCaffery indicates that the poems were composed based on existing texts and chance operations. The top of the spine of this copy of the book is missing. This is McCaffery's second book. -- Source of annotation: Marvin or Ruth Sackner.

This issue presents a world-wide survey of avant garde music scores with documentation by the composers that forms a logical sequel to Cage's book "Notations" Something Else Press. -- Source of annotation: Marvin or Ruth Sackner.

The poems on the front and back covers are reminescent of Jackson Mac Low's "Vocabulary" performance poems. In fact, McCaffery entitles the two poems, "Vocabulary for Marjeceta Cujes" and "Vocabulary for Salvatore Incardona." -- Source of annotation: Marvin or Ruth Sackner.

The poems on the front and back covers are reminescent of Jackson Mac Low's "Vocabulary" performance poems. In fact, McCaffery entitles the two poems, "Vocabulary for Marjeceta Cujes" and "Vocabulary for Salvatore Incardona." -- Source of annotation: Marvin or Ruth Sackner.

Gynn Davies founded this press that was in business from 1977-1985. -- Source of annotation: Marvin or Ruth Sackner.

The "cap" of the word "capture" is enclosed by four staples. This is the first edition that subsequently went through four editions -- Source of annotation: Marvin or Ruth Sackner.

This issue is part of Gronk Intermediate Series No.20 where it is stored. A separate copy is also stored in Ganglia 5 Cent Mimeo Series. -- Source of annotation: Marvin or Ruth Sackner.

This issue is part of Gronk Intermediate Series No.20 where it is stored. A separate copy is also stored in Ganglia 5 Cent Mimeo Series. -- Source of annotation: Marvin or Ruth Sackner.

Probably published in an edition of 400 copies. McCaffery provides an excellent summary of the construction of this modified version of an early section of carnival. -- Source of annotation: Marvin or Ruth Sackner.

Probably published in an edition of 400 copies. The title on the cover is "Collborations" and that on the title page "collbrations." -- Source of annotation: Marvin or Ruth Sackner.

Each page was composed in a photocopier and has the same phrase "complete charges from" obsessively repeated and overprinted. In some pages, this is combined with abstract marks, in others with images such as an eye or a standing gorilla. -- Source of annotation: Marvin or Ruth Sackner.

McCaffery provides an guide for interpreting the poem that constitutes this book. -- Source of annotation: Marvin or Ruth Sackner.

Probably published in an edition of 400 copies. -- Source of annotation: Marvin or Ruth Sackner.

Usually published in an edition of 400 copies. The poem deals with ecological balance. -- Source of annotation: Marvin or Ruth Sackner.

Usually published in an edition of 400 copies. -- Source of annotation: Marvin or Ruth Sackner.

Usually published in an edition of 400 copies. -- Source of annotation: Marvin or Ruth Sackner.

This is an early study for Carnival 1. The pages consist of photocopied fragments of newspaper clippings overwritten with abstract marks. There are also typings of the letter m's on the newspaper texts. The Sackner Archive holds two copies of this book that differ slightly in their covers and contents. -- Source of annotation: Marvin or Ruth Sackner.