Scope and Contents

This issue is an anthology of short novels. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Includes long diaristic, experimental visual/verbal, prose/poetry work by Hart Broudy. The title of this issue is actually "The Story So Four." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue deals with post-modern poetry in English. It is the penultimate isssue of Sulfur. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The "Art of Typewriting" is listed and illustrated (page 31). It contains illustrated works and descriptions from the Sackner Achive. Four of the uniquely designed book covers are shown. On the back covers the works of Leandro Katz (Word Column IV) and Steve McCaffery (Carnival - second column) are illustrated. The smaller soft cover book contains children's publications. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Dick Turpin was a British bandit in the 1800's who was considered to be the "Gentleman of the Road" but who actually was a thug and petty thief. On being sentenced to death, he delivered an eloquent 25 minute speech in a calm voice with the noose around his neck. Fencott's narrative element is intuitive rather than actual autobiography. Steve McCaffery recorded the performance. Also designated No.3 in Underwhich Audiograph Series. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Dick Turpin was a British bandit in the 1800's who was considered to be the "Gentleman of the Road" but who actually was a thug and petty thief. On being sentenced to death, he delivered an eloquent 25 minute speech in a calm voice with the noose around his neck. Fencott's narrative element is intuitive rather than actual autobiography. Steve McCaffery recorded the performance. Also designated No.3 in Underwhich Audiograph Series. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

McCaffery has published very witty variations on this poem in the imagined style of others. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The book consists of two novellas, "Lag" and "Effect of Cellophane." Lag was written with only commas and Effect of Cellophane without punctuation. Both stories are printed without paragraph separations. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Wharton Hood is non-de-plume of jw curry. This book is a photocopied compilation of his correspondence by Hood and his respondents. It was published in probably less than 10 copies. This volume has a large section on photocopied, commercial mail advertisements. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Poem adapted from "The mouse ran up the clock." McCaffery provided the words and Hood the image. The original layout for this work is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This publication served as the catalogue for the exhibition of Anastasi's work at the Slought foundation, Philadelphia, curated by Oswalds Romberg who contributed an introductory essay. It engages work by conceptual artist William Anastasi in relation to literary and artistic predecessors and contemporaries including Jarry, Joyce, Duchamp, and Cage. This publication is edited by Aaron Levy and Jean-Michel Rabate, with contributions by William Anastasi, Joseph Masheck, Thomas McEvilley, and Steve McCaffery, and an introduction by Osvaldo Romberg. In addition, nearly 40 manuscript pages from William Anastasi's manuscripts "me innerman monophone" and "du jarry," engaging Joyce and Duchamp via Jarry, are reproduced in the book, alongside 10 pages of reproductions of Anastasi's work from the 1960s. By showing concretely that many passages in Finnegans Wake contain buried allusions to Jarry's characters and vocabulary and personality, Anastasi is not simply annotating Joyce's...