A Psalm of David is presented in conventional fashion on the first page and presented on the third page with several words in each line cut out of the text. -- Source of annotation: Marvin or Ruth Sackner.

The recording includes Marvin Sackner's unedited talk at this conference. -- Source of annotation: Marvin or Ruth Sackner.

The recording includes Marvin Sackner's unedited talk at this conference. -- Source of annotation: Marvin or Ruth Sackner.

In a section entitled "A Note on the Original Edition," Phillips mentions the following, "Heartening support was given by Ruth and Leo Phillips as well as the many patient collectors who bought their copies before a picture or a line was printed. Amongst those I should particularly like to mention Marvin and Ruth Sackner without those staunch encouragement the seven year trial of making the edition would have seemed so much less suprerable." -- Source of annotation: Marvin or Ruth Sackner.

This is a facsimile of the artist's book originally published in 1913, made after an original copy in the collection of the Beinecke Rare Book & Manuscript Library at Yale University. The original copy was purchased from the Sackner Archive. This edition also includes a new English translation and essay by curator Timothy Young in an accompanying book. The facsimile was reproduced from scanned images of the original and printed on Mohawk Superfine Ultrawhite Eggshell 100 text. It was letterpress scored, then hand folded like the original and assembled. The slipcase was base on the original vellum cover, which was hand-painted by Sonya Delaunay and glued to the text block. This work is stored with "Metaphor Taking Shape." -- Source of annotation: Marvin or Ruth Sackner.

This is a review of the poetic works of the husband and wife team of Duhamel & Carbo and frequent collaborators as well as the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Zen Sutherland's contributions to this issue resemble David Coles' work. -- Source of annotation: Marvin or Ruth Sackner.