A drawing of four windows in a partially drawn bolted door. The graphite pencil is worked onto the surface of the paper so that the glass panes have a silvery reflection. The complete text printed at the top of the drawing reads, " Although the Meteorological Office has not yet released the forecast for September, it is not expected to be a cheerful one. " Part of a series of eight prints in collaboration with Jonathan Williams, "St Swithin's Swivet." -- Source of annotation: Marvin or Ruth Sackner.

Depicts a summer landscape through double windows and lists 19 words, several archaic or made-up, that describe the weather. -- Source of annotation: Marvin or Ruth Sackner.

In the Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.

In The Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.

This is one of a series of 11 prints done in collaboration with Jonathan Williams that deal with the weather in Cumbria. This depicts a gloomy landscape from a window vantage showing grazing sheep. There are bright patches of red on backs of the Ewes indicating their owner as well as blue color on their backs. The ram's feet is placed into blue dye before they are put into the field with the Ewes so that farmers can tell when Ewes were serviced. In The Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.

Depicts a drawing of Claude Debussy standing at the front of a labyrinth, with architectural renderings at the left, parts of Debussy's music in the clouds, and a bat in storm clouds at the top right. -- Source of annotation: Marvin or Ruth Sackner.

Consists of drawings of the same egg shell in a grid seven by seven. Each egg is formed with "hatched" lines done in a different way, e.g., horizontal, vertical, horizontal slanted, combination of slanted horizontal over slanted vertical, etc. The method of drawing egg shells with hatchings accounts for the title. These hatching styles are reminiscent of the wall drawings by Sol LeWitt.drawings. -- Source of annotation: Marvin or Ruth Sackner.

This line drawing depicts a labyrinth from a horizontal-vertical aspect with a central figure of Mother Nature followed by a man, dressed in a robe, who holds a lantern. -- Source of annotation: Marvin or Ruth Sackner.

This depicts an image of Xmas Star, a fishing boat, with a listing of its Port Letters, Fishing Numbers, Radio Call Sign, Net Tonnage, and Gross Tonnage. With the exception of the name Xmas Star printed in red, the remainder of the image is printed in black. In this unique version, the image is printed on much heavier stock paper than the original print. The inscription on verso reads, reprint from the Wild Hawthorn Press April 1969. -- Source of annotation: Marvin or Ruth Sackner.

This is an image of Xmas Star, a fishing boat, with a listing of its Port Letters, Fishing Numbers, Radio Call Sign, Net Tonnage, and Gross Tonnage. With the exception of the name Xnas Star printed in red, the remainder of the image is printed in black. Printed at the lower right is "Wild Hawthorne Press April 1969. The Sackner Archive holds a smaller version of this print. -- Source of annotation: Marvin or Ruth Sackner.

A large grainy photographic portrait of Eric Satie is the center image with the words "Real I" drawn in three dimensions at the top and "Sing" at the bottom. The title can also be pronounced "realizing." -- Source of annotation: Marvin or Ruth Sackner.

The print, done in commemoration of Jonathan Williams' 70th birthday, shows him playing cricket. -- Source of annotation: Marvin or Ruth Sackner.

The print depicts an image of a sheep and lamb. -- Source of annotation: Marvin or Ruth Sackner.

Depicts a sheep peering through a window with the fields in the background; according to a letter from Furnival, this print is a companion to Bright Patches. -- Source of annotation: Marvin or Ruth Sackner.

The print depicts a drawing of a tree barren of leaves with a single bird's nest, presumably in the Furnival's house in southern France. -- Source of annotation: Marvin or Ruth Sackner.