This complex, dense, aerial view of buildings was achieved by typing only slashes and minus signs. -- Source of annotation: Marvin or Ruth Sackner.

This booklet was written for a workshop in a grade school class and is a second edition of the book. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was organized by the students of Bath Academy of Art to carry out projects proposed by their three teachers, Furnival, Finlay, and Houedard. -- Source of annotation: Marvin or Ruth Sackner.

Although known as a concrete poet, critic, translator, and artist in the art and poetry worlds, Houedard was also well versed in religious thoughts and traditions. Educated in the Christian monastic and contemplative traditions, Dom Sylvester had a deep knowledge of many forms of belief, which he saw as different expressions of a single wisdom. A pioneer of the wider ecumenism, he had active contacts with Tibetan Buddhism and the work of the great Islamic mystic Muhyddin Ibn' Arabi. In these talks given near the end of his life, Dom Sylvester illuminates the meanings embedded in six of Eckhart's greatest sermons. -- Source of annotation: Marvin or Ruth Sackner.

The poster is stored in the unfolded state. There is small cartoon incorporated into this typographical piece. -- Source of annotation: Marvin or Ruth Sackner.

Designated folder no.1. Dom Sylvester Houedard contributed introductory notes to the poems. -- Source of annotation: Marvin or Ruth Sackner.

Designated folder no.1. Dom Sylvester Houedard contributed introductory notes to the poems. -- Source of annotation: Marvin or Ruth Sackner.

This copy has a white background onto are which printed colored letters dictated by the analysis on the verso. William Allen comments: "Dom Sylvester's memorial to the artist Ken Cox, who died in November 1968 after a tragic accident. This double-sided print was printed at the Compton Press, Salisbury, in orange and green on yellow stock. The verso side of the print features silkscreen, together with the title and date. Recto, printed in black, contains the full length title "Ken Cox Memorial/Sun-Cheese wheel-ode, a double-rolling-gloster memorial for kencox" and the complex workings of Houedard's Consonant and Vowel System, as well as acknowledging Semi-Bold Flaxman by Edward Wright. The letters K- E- N- C- O- X are missing from the composition - reflecting the loss of the artist. Less than 300 prints were produced on white, pink and yellow stock." -- Source of annotation: Marvin or Ruth Sackner.

This copy has a yellow background onto are which printed colored letters dictated by the analysis on the verso. William Allen comments: "Dom Sylvester's memorial to the artist Ken Cox, who died in November 1968 after a tragic accident. This double-sided print was printed at the Compton Press, Salisbury, in orange and green on yellow stock. The verso side of the print features silkscreen, together with the title and date. Recto, printed in black, contains the full length title "Ken Cox Memorial/Sun-Cheese wheel-ode, a double-rolling-gloster memorial for kencox" and the complex workings of Houedard's Consonant and Vowel System, as well as acknowledging Semi-Bold Flaxman by Edward Wright. The letters K- E- N- C- O- X are missing from the composition - reflecting the loss of the artist. Less than 300 prints were produced on white, pink and yellow stock." -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns setting up, transporting and caring for Furnival's work at the first Brighton Festival as well as asking for an indication of the arrangement of Furnival's panels and whether Houedard could associate with the project. -- Source of annotation: Marvin or Ruth Sackner.

Arias-Misson indicates that he wishes to change dedication of his music score "La Solitude Sonore" to D.S.H. (Dom Sylvester Houedard). -- Source of annotation: Marvin or Ruth Sackner.

This lettered hand-drawn poem is collaged onto a page of Furnival's "Liber Amicorum 1964-1984," a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

First printing. Bory's introduction traces the history of the concrete poetry movement and its aesthetic. -- Source of annotation: Marvin or Ruth Sackner.