Designated Writers Forum Pamphlet Three. -- Source of annotation: Marvin or Ruth Sackner.

Seven concrete poems and one visual poem are depicted in this pamphlet. -- Source of annotation: Marvin or Ruth Sackner.

The full poem reads, "Abstract poetry is always infinitely superior to poetry, which sets out to mean something." (Proust Jean Santeuil Ch.vi) -- Source of annotation: Marvin or Ruth Sackner.

This is an adaptation of a poem from Omar Khayam. -- Source of annotation: Marvin or Ruth Sackner.

A chrestomathy is a collection of choice poems written especially to teach a language. The book begins with biblical texts and continues with runic poems, Latin poems, Middle English poems, Russian, Greek and childrens' poetry. Edwin Morgan contributed the forward. This book was exhibited in Visualog 2. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo mentions meeting Peter Mayer at Goldsmiths School of Art. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The permutation component of the poem is composed from "spiel." The corners of the card are rounded. -- Source of annotation: Marvin or Ruth Sackner.

First published on the occasion of Bob Cobbing's retrospective exhibition held at the Sunderland Arts Centre in 1974 as Ceolfrith No.26. -- Source of annotation: Marvin or Ruth Sackner.

Designated Studies in Concrete Poetry No.3. Includes sections on definitions, historical statements & manifestos, as well as chronologies of concrete and sound poetry. The book was first compiled in 1971 to coincide with the Stedelijk Museum's exhibition "?Concrete Poetry" but funding could not be obtained for publication. Additions to the book were continued until its publication in 1978. This is the first edition. The chronolgy was written by Dom Sylvester Houedard, Jeremy Adler and Dick Higgins. -- Source of annotation: Marvin or Ruth Sackner.

This is also designated Writers Forum Series Studies in Concrete Poetry Number 3. In addition to examples from international concrete poets, the anthology cites chronologies of visual poetry and sound poetry from 1700 BC to 1978. Includes sections on definitions, historical statements and manifestos, concrete aspects of poetry, sound poetry, semantic poetry, myths of concrete poetry. Examples of poems from about 350 authors are reproduced. This is the third printing of the first edition.This reprinting under guidance by William Cobbing, Bob Cobbing's grandso, has an added introduction -- Source of annotation: Marvin or Ruth Sackner.

This is also designated Writers Forum Series Studies in Concrete Poetry Number 3. In addition to examples from international concrete poets, the anthology cites chronologies of visual poetry and sound poetry from 1700 BC to 1978. Includes sections on definitions, historical statements and manifestos, concrete aspects of poetry, sound poetry, semantic poetry, myths of concrete poetry. Examples of poems from about 350 authors are reproduced. This is the third printing of the first edition. -- Source of annotation: Marvin or Ruth Sackner.