Manilla envelopes bound into the book contain broadsides. The envelopes are titled: Draft, Social Engineering, Subconcious Team, Politics/Military, Money Law, Industry, Bios, Forbidden Fruits, Sound Theatre, Miscellaneous. As seen on title page and indicated by (c) in others, most of the images were designed by the Gerlovins. -- Source of annotation: Marvin or Ruth Sackner.

This periodical is an example of Samizdat Art. The title translates to "Noncreativity." -- Source of annotation: Marvin or Ruth Sackner.

The covers of this artist book, edited by the Gerlovins, are kraft paper envelopes; the front cover contains a loose folded sheet for the colophon and the back cover information on Issue No.3. Each of the other 21 envelopes consists of a cellophane windowed, white paper envelope that contains a contribution by the artist/poet. Most but not all of the contents of the contributions deal with Russian themes. -- Source of annotation: Marvin or Ruth Sackner.

The pages consist of grey envelopes, each with contents listed above. One of the booklets, Piotr Rypson's "AEIOU" is a Sator Editions (30/50) 1981. -- Source of annotation: Marvin or Ruth Sackner.

Each drawing, enclosed within a printed, rubberstamped envelope, was based upon an artwork by a famous artist, e.g., Dubuffet, Miro, Klee, etc. who was influenced by a child's drawing. This was reinterpreted by a child, 1 1/2 to 9 years of age, son or daughter of a contemporary artist, from a fragment of the work. A small, torn fragment of a printed reproduction was collaged onto a papercard sheet measuring 26.5 cm x 17.6 cm. It was placed along the side so that it could be seen in part through the cellophane window of the envelope. The parents of the children who made these drawings were Jean Dupuy, Michael Kostiuk, Jacques Halbert, Fred Truck, Jon Hendricks, Paul Zelevansky, Jon Gibson, etc. -- Source of annotation: Marvin or Ruth Sackner.