Assembling
Found in 485 Collections and/or Records:
Drop in the Ocean: Thoughts on a found photo / Dellafiora, David, editor ; spence, pete, editor ; Cuthberson M ; Vleeskens C ; spence p ; Dellafiora D., 1999
The contributors altered the same photograph depicted on the cover to produce a visual/verbal art piece. -- Source of annotation: Marvin or Ruth Sackner.
Echtzeit: Copy-Art/Installation / Jurgen O. Olbrich, curator ; Hainke W ; Noel A ; Olbrich JO ; Tilson J ; Williams E ; Nieslony B ; Muhleck G., 1988
This is a limited edition catalog of the exhibition that includes prints from the exhibition. Another limited edition of signed prints enclosed within a box was published in an edition of 50 copies. -- Source of annotation: Marvin or Ruth Sackner.
Editing Beckett / Helmes, Scott, editor ; Bright, Betty, editor ; Beckett S ; Johns J ; Padin C ; Johnson R ; Groh K ; Jupitter-Larsen G ; Galantai G ; Bennett JM ; Cole D ; Morandi E ; CrackerJackKid ; Cavellini GA ; Musicmaster ; Spiegelman L ; Kume L ; Dudek-Durer A ; Lipman J ; Baroni V ; Crozier R ; Todorovic M ; Espinosa C ; Shimamoto S ; Duquette M ; DeJonge K ; Bleus G ; Olbrich JO ; Codrescu A ; Szombathy B ; Bruscky P ; Rasdorfer JM., 1988
This was a correpondence art collaborative project bases upon Beckett/Johns' book Fizzles. -- Source of annotation: Marvin or Ruth Sackner.
Eighty Days, 1997
The label states that Eighty Days was made during an Australian Visit from June 13 until August 31, 1997. The cloth bag is labeled Networkers are Miners on one side and Fossick Edition on the other. On one of the photocopied sheets within the bag, the meaning of Fossick is given as Australian or New Zealand slang for to rummage or to search. Its contents are 30 works produced by students of the School of Arts at University of Ballarat that explore the themes of mining, minerals and local history of Ballarat, Australia.The case also contains a catalogue entitled "Field Study Australia" documenting international mail art exhibited at the Courthouse Project in Geelong, Australia.The plastic case is a blue color with the Australian flag embossed on its lid. -- Source of annotation: Marvin or Ruth Sackner.
Eins Von Hundert: Engel. No.48/Nov-Dec / Putz M., 1999
All the contributions on this issue relate to the theme of Angels. -- Source of annotation: Marvin or Ruth Sackner.
Eins Von Hundert. No.24/Oct-Dec / Norros H., 1993
Eins Von Hundert. No.30/Apr-May., 1995
Jurgen Olbrich did the cover collage. Edited by Axel Fabry and Peter Krabbe. -- Source of annotation: Marvin or Ruth Sackner.
Eins Von Hundert. No.44/Oct-Dec / Axel Fabry, editor ; Fabry A., 1998
The theme of this issue is "Spiel" meaning "play" in English. -- Source of annotation: Marvin or Ruth Sackner.
Eins Von Hundert: Tod - Death. No.53/Jan-Mar / Metzler PM ; Zink R., 2001
The theme of this issue is death. The issue is a collaboration with the international artist group M-A-I-S and served as the catalogue for an exhibition in an air-raid shelter in Berlin. The back cover was designed by Regula Zink. -- Source of annotation: Marvin or Ruth Sackner.
Entwerter/Oder: Die Jubilaumssausgabe. No.75 / Uwe Warnke, editor ; Zielke O ; Thieme P ; Ebel G ; Siewert F ; Jahn S ; Eckhart F ; Sorgel H ; Selbar K ; Nieblich W ; Olbrich JO ; Bach C ; Andryczuk H ; Best F ; Gunther T ; Kierspel J ; Warnke U ; Korte R ; Schlottmann U ; Hussel C ; Gunther F ; Lohr H ; Huckauf P., 2000
This issue consists of two volumes, e.g., number one is Art and number two is Text.The hard book cover was designed by Thomas Gunther and the soft book cover was designed by Harald Weller. The slipcase was done by Ottfried Zielke. -- Source of annotation: Marvin or Ruth Sackner.
Entwerter/Oder: Konzept. No.68/Feb / Uwe Warnke, editor ; Wagner KH ; Warnke U ; Lohr H ; Ebel G ; Buchwald K ; Sachse K ; Olbrich JO., 1997
Entwerter/Oder: The Anniversary Issue. No.100/Sep / Uwe Warnke, editor ; Warnke U ; Zielke O ; PLG ; Selbar K ; Eckhardt F ; Jesch B ; Buchwald K ; Ebel G ; Staeck K ; Bach C ; Olbrich JO ; Jahn S ; Siewert F ; Sachse K ; Grosser M ; Steeb F ; Diersch F ; Henne W., 2016
Entwerter/Oder: Visuelle Poesie. No.42 / Uwe Warnke, Wolfgang Nieblich, editors ; Deisler G ; Hainke W ; Lohr H ; Nieblich W ; Warnke U ; Gunther T ; Scherstjanoi V ; Sorgel H ; Jahn S ; Olbrich JO ; Jadot A ; Perneczky G ; Zielke O ; Perneczky G ; Ebel G., 1991
Environmental Forum Poetry Anthology. No.1 / Kenneth Swain, Ria Parsons, Criton Tomazos, Ian Robinson, editors ; Broodthaers M ; McCarthy U ; Stevenson M ; deBoeck R ; Robinson I ; Jessop P ; Nuttall J ; Tomazos C ; Chant M ; Cobbing B ; Cobbing J., 1970
Eter. No.5 / Paul-Armand Gette, editor ; Venet B., 1967
Eye: A Small Arena for Heroics. No.11 / Roger Boyce, editor ; Dean N., 1984
Covers were designed by Marc D'Estout. -- Source of annotation: Marvin or Ruth Sackner.
Eye: Available Light. No.8 / Kristin Zethren, editor ; Seamster M ; Licher B., 1983
Eye: Cobalt Myth Mechanics. No.14 / Paul Hasegawa-Overacker, editor ; Finley K ; Hammons D., 1986
This issue Includes a photocopied erotic story by Karen Finlay, a contemporary performance feminist Artist, with handwitten additional text. David Hammons contributed a print on corrugated hardware to honor the memory of Michael Stewart, a graffiti artist killed by the police. -- Source of annotation: Marvin or Ruth Sackner.
Eye: Futuristic Images 1984. No.10 / Bob Michna, editor., 1984
The theme of this issue was a directive to the artists to produce an image of the "future." Cover was created by Ronald Davis, a well known constructivist artist and signed by him. This issue also contains a signed print by Davis. -- Source of annotation: Marvin or Ruth Sackner.