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Relates to publication of the book object periodical, "Eye No.13," which is held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The cover was designed by jw curry. -- Source of annotation: Marvin or Ruth Sackner.

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Clamshell box was made by Sandra Reese. Colophon was written by Erenberg on the top of the inside cover of box in shape of record. Book consists of twelve, artistically altered, 78 rpm records in brown paper sleeves. -- Source of annotation: Marvin or Ruth Sackner.

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This work consists of two books in a paper bag. The Risk is edited by Gunther Ruch and Arte Postale No.62 1990 by Vittore Baroni. The description of Arte Postale can be found in the database under other copies of the periodical. Ruth Wolf-Rehfeldt's contribution reads "My Last Mail Art Action from the GDR" (owing to Glasnost). -- Source of annotation: Marvin or Ruth Sackner.

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The proceeds from this book went to support people with AIDS. -- Source of annotation: Marvin or Ruth Sackner.

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David Dellafiora contributed an exceptionally powerful print to commemorate the September 11, 2001 destruction of the World Trade Center Towers in NYC. The print is depicted in the accompanying image with this record. Although the image is simple, it offers multiple interpretations of its meanings. A larger laser print of the same image in 11 copies is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This book was published to commemorate the United Nations' Fourth World Conference on Women held in Beijing in 1995. All submissions from women around the world were accepted for the project that was a joint venture with SOS Int'l. Kahn places a short caption on the header of each page that sorts the pages into sequential alphabetical content to simulate pages of an encyclopedia, e.g., COOL IDEA, COTIDIANIDAD, COUPON, COUPS, etc. -- Source of annotation: Marvin or Ruth Sackner.

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This version consists of 42 cards, most of which are drawings. -- Source of annotation: Marvin or Ruth Sackner.

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This periodical was edited by Maarten Beks, Pierre Borgue, Nathaly Bouvy, Hans Brand, Jan Brand, Geurt van Dijk, Urias Noteboom, Wim Scheepens, and Hans Witte. -- Source of annotation: Marvin or Ruth Sackner.

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Albert Dupont organized this book project for his son Ben's class. Each student, the teachers and Dupont contributed a line drawing portrait of themselves, designed so that each individual held the hand of the preceeding and following person. The title means "A Lot of Children." -- Source of annotation: Marvin or Ruth Sackner.

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This book constitutes the originals from the exhibition at Studio im Hochhaus, Berlin, 1995 of collaborations between Hartmut Andryczuk and other artists and poets carried out from 1993-1995. On the previously folded pages, the contribution of Andryzuk is adjacent to the collaborator. One page was initiated by Andryczuk, the other by the collaborator. The soft cover book (24/70) in an envelope on the inside of the back cover, documents and reproduces the contributions in black & white. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This unique book was shown at an exhibition at Galerie 13 in Hannover, Germany from January 19 - February 24, 1996. Indeed, a catalogue reproducing the works in this book is included in a folder within the book; a brochure announcing the exhibition is also included. The book is divided into five parts, three in the first part and two in the second part of the dos-a-dos design. The first part includes Andryczuk's "Cosmographic Poetry and Art." This consists of 18 pages of rubberstamped images like an accordion and a stylized sun figure with a single letter in colored ink alongside the image. In addition, there are four pages of rubberstamped bees and drawn ink and gold figures and letters on commercially printed material.The second section entitled, "Letters for myself" consists of 18 pages of airmail envelopes collaged onto a white page which has been rubberstamped, "KOPIA" at the top and 030495 at the bottom. The envelopes are rubberstamped with an image of a Scuba diver and a...

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The first 75 postcards are generally ones that Andryczuk addressed to himself; he titled them the "Lobo 1998" cards. Therafter, the project becomes collaborative with other poets and artists. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This work consists of a a painted box with two bookshelves and a horizontal compartment within its center divide. It houses 10 folders holding large, handmade postcards usually from thick cardboard or fragments of hard cover bookbindings. The hard cover book documents the project, annotates the postcards, and depicts photocopied colored reproductions of one side of all the postcards. The folders hold the original postcards No.1-166 between Freddy Flores Knistoff and Harmut Andryczuk, No.167-247 between Wolf Rosenthal and Harmut Andryczuk, No.248-276 between Harmut Andryczuk and Wolf Rosenthal, No.277-298 between Harmut Andryczuk and Pierre Garnier and between Pierre Garnier and Harmut Andryczuk, and No.299-339 between Harmut Andryczuk and Freddy Flores Knistoff. The writer is identified through a symbol assigned to each. Further, Wolf Rosenthal signature on his postcards often is "lobo." The content of several cards is political dealing with the conflict in Kosovo. The edition of...

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Lists the poets and artists who have participated in Deisler's assembling publication, Uni/vers(;) from 1987-1992 and reproduces representative works from the magazine. -- Source of annotation: Marvin or Ruth Sackner.

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This book consists of photocopied colored prints made by artists from Poland, Yugoslavia, Germany, Switzerland, and the United States that are held between sleeve pages. -- Source of annotation: Marvin or Ruth Sackner.