Scope and Contents This work consists mostly of feminist material. According to her web site, Barbara Drucker received her MFA from UCLA, where she is currently the Associate Dean of Academic Affairs for the School of the Arts and Architecture and Professor of Painting and Drawing in the Department of Art. From 1996 - 2001 she was the founder/director of The Living Room, an alternative exhibition space in Santa Monica, California. Drucker's art practice includes painting, mixed media installation, sculpture, photography and video. It has been exhibited nationally and internationally at venues such as the Mazzocchi Gallery, Parma, Italy; Academy of Fine Arts, Brescia, Italy; Kulturzentrum bei den Minoriten, Graz, Austria; Kennedy Gallery, Athens, Greece; Bouzianis Gallery, Athens, Greece; Center for Book Arts, New York; and Mount St. Mary's College, Los Angeles, CA. Her work is also included in numerous public collections such as the Smithsonian Archives of Contemporary Art, Washington, D.C.; the...

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This is a reprint of the book of the same title on white paper stock printed in red ink. Original copies are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This work was composed at the Sackner Archive during a sound poetry and typewriterart as a performance to all attendees by Chopin. -- Source of annotation: Marvin or Ruth Sackner.

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This is the first edition. In an author's afterward, Foer writes that he used the text of Bruno Schultz''s book "The Street of Crocodiles" to create this "imagined larger book, this ultimate book, that every word ever written, spoken or thought is exhumed." Bruno Schultz was killed by the Nazis and only two volumns of his writing survive. The artist Olafur Eliason writes that Tree of Codes is "an extraordinary journey that activates the layers of time and space involved in the handling of a book and its heap of words." Foer creates a new poetic text mined from the original novel. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is the second edition. In an author's afterward, Foer writes that he used the text of Bruno Schultz's book "The Street of Crocodiles" to create this "imagined larger book, this ultimate book, that every word ever written, spoken or thought is exhumed." Bruno Schultz was killed by the Nazis and only two volumns of his writing survive. The artist Olafur Eliason writes that Tree of Codes is "an extraordinary journey that activates the layers of time and space involved in the handling of a book and its heap of words." Foer creates a new poetic text mined from the original novel. -- Source of annotation: Marvin or Ruth Sackner.

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The photograph depicts a text by Bennett that Helmes overprinted with four rectangular shapes enclosing abstract markings. -- Source of annotation: Marvin or Ruth Sackner.

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The poem reads, "a nine muse world beyond the portico of legends - beyond the library - rest n a rock - beyond the music of a blossoming horse." The border of the page consists of rows of colored book spines. -- Source of annotation: Marvin or Ruth Sackner.

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The poem reads, "A son like myself - of a Greek engineer - only the word pictures the word - plied words slipped - into his heart like surprise and pleasure. The background depicts colored wave-like forms. -- Source of annotation: Marvin or Ruth Sackner. Housed with "Ulysses [raises]". Identifying label calls the piece "a sun like myself." Added: CEND.

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The poem reads, "244 raises. How do I know that? By a very simple test - I know it by its fruits. And what may its fruits be? They are the glittering beings. - art of departure over the pages and waves - So back to to his ocean - to the helm to the rising and falling, turning and returning, appointed courses, of man." A stylized, line drawing of a man is present in the background. -- Source of annotation: Marvin or Ruth Sackner. Housed with "Ulysses [a son like myself" Added: CEND.

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The poem reads, "rock music sing, enchant the ear - one hell of a noate in his ear - art of drinking - toge and bloom come together - the dissipation expedition." The border of the page consists of musical staves. -- Source of annotation: Marvin or Ruth Sackner. Housed with "Ulysses [a nine muse world]," 2000. Added: CEND

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A portion of the inked Syriaque letters are overpainted in white that either obliterates some letters or covers them in a veil of paint. In addition, fine red lines are painted across the entire surface in patterns of triangles, horizontal lines or parallel arcs. This work has a freer sensibility than earlier drawings by Moreau held in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The source text is Update Proceedings, a symposium, held by Key Pharmaceuticals on their respiratory drug, "Theodur." One of three copies, all slightly different, were commissioned by Sackner. The other two were given as gifts to officers of the company. The book serves as a support onto which Broaddus placed his visual imagery with minimal attention directed to uncovering new verbal messages in the text. -- Source of annotation: Marvin or Ruth Sackner.

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This is one of the 23 pieces in this suite of works. -- Source of annotation: Marvin or Ruth Sackner.

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This is one of the 23 pieces in this suite of works. -- Source of annotation: Marvin or Ruth Sackner.

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This is one of the 23 pieces in this suite of works. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is one of the 23 pieces in this suite of works. -- Source of annotation: Marvin or Ruth Sackner.

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This is one of the 23 pieces in this suite of works. The mimeographed, readable text of this piece deals with rules for machinists in the work place. -- Source of annotation: Marvin or Ruth Sackner.

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This is one of the 23 pieces in this suite of works. There appears to be the Hebrew letter 'Aleph' formed by the shape of a typed letter picture in the left hand lower corner. -- Source of annotation: Marvin or Ruth Sackner.