Skip to main content

Concrete poetry

 Subject
Subject Source: Sackner Database

Found in 3 Collections and/or Records:

Archive for Defying Linear Deification: Contemporary Toronto Visual Poetry and its Afterward 1 / curry, jw; Birney E; Nichol bp; UU D; Aylward D; Broudy H; Dutton P; McCaffery S; Truhlar R; Dean M; Amann E; Swede G; Shikatani G; Goluska G., 1987

 Item
Identifier: CC-20775-21180
Scope and Contents

curry traces the development of concrete and visual poetry in Toronto for an essay in Cross-Canada Writers' Quarterly Vol.9 No.3-4, 1987, a periodical held by the Sackner Archive. He lists Earle Birney's book entitled pnomes jukollages and other stunzas 1969, as the first concrete poetry by a main stream Canadian poet. He comments that bp Nichol's 1st book, Cycles etc., 7 Flowers Press, were chant structures that relied heavily on visual sonic similarities between words. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Gronk: Pnomes, Jukollages and Other Stunzas. No.2 / Earle Birney ; Nichol bp ; Suknaski A., 1970

 Item
Identifier: CC-36258-38048
Scope and Contents

This work was designed by bp Nichol except for one piece by Andrew Suknaski. Two copies have the printed envelope intact, in another copy, the envelope is frayed, and in the remaining copy, the envelope is absent. The actual edition size was probably 300 copies. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970