Given to the Sackners at the Yale University Portuguese Concrete Poetry Symposium (1995) organized by Keith Jackson and Johanna Drucker. De Melo e Castro utilized typewritten punctuations, brackets, and parentheses of different dimensions among the words to cause the reader to interact with his/her own words thereby creating another meaning. -- Source of annotation: Marvin or Ruth Sackner.

These prints are based upon a typing done in 1993 which were photocopied onto a transparent sheet of paper and then laid over the original in five different ways creating five works "with dense patterns and moire effects." -- Source of annotation: Marvin or Ruth Sackner.

This book is identical to the edition published by Frankfurter Kunstverein except that the colophon is printed in English rather than German. Both editions are held by the Sackner Archive. The poems, printed one to a page, are left in white on different colored backgrounds of narrow rectangles. Some of the poems have also been issued as cards or prints. -- Source of annotation: Marvin or Ruth Sackner.

The third of three of Bellaert's "n-books," all of which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Eschaton is defined as the final heaven-like stage of history or trying to create heaven here on earth. -- Source of annotation: Marvin or Ruth Sackner.

The 1st edition was published in 1969 and is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This the cover design for the book of the same title which was published by Vertigo Productions, London in 1970; the book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a November internet update of the Writers House calendar for October featuring the seminar "Suddenly Everyone Began Reading Aloud" relating to the exhibition at the Van Pelt Library titled "Make Perhaps This Out Sense Of Can You." Photographs are included of the participants at the seminar. -- Source of annotation: Marvin or Ruth Sackner.

Designated folder no.1. Dom Sylvester Houedard contributed introductory notes to the poems. -- Source of annotation: Marvin or Ruth Sackner.

The word "eyeye" is embossed in gold on the front cover. -- Source of annotation: Marvin or Ruth Sackner.

Spohn contributed ten illustrations to the book. -- Source of annotation: Marvin or Ruth Sackner.