Concrete poetry
Found in 6448 Collections and/or Records:
A Norman-Scottish Acrostic for Erik Satie / Furnival, John., 1980
A Noted Vocabulary For Eve Rosenthal 5/22-25/78 / Mac Low, Jackson., 1989
A Number Progression (Wump Ertater) 1st Ed / Cobbing, Jennifer., 1970
Designated Writers Forum Folder 8. Each papercard sheet depicts a single stencilled, printed number, from 1 to 10, with 2 to 10 having repetitive overlays. The author is also known as Jennifer Pike and is the wife of Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.
A Number Progression (Wump Ertater) 2nd Ed / Cobbing, Jennifer., 1990
Designated Writers Forum Folder 8. Each sheet depicts a single stencilled, printed number, from 1 to 10, with 2 to 10 having repetitive overlays. This second edition differs from the first in that the collaged element on the envelope is blue rather than yellow and the loose sheets are photocopied and have larger dimensions. The author is also known as Jennifer Pike and is the wife of Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.
A Papa Dada / Chopin, Henri., 1966
This is the original of a typing which appears in Chopin's book, "Le Dernier Roman du Monde." It consists of four letter words of two identical syllables such as papa, nana, caca, gaga, etc. with the vowel 'a.' -- Source of annotation: Marvin or Ruth Sackner.
A Patch for a Rip-Tide: Sail / Finlay, Ian Hamilton; Sandeman, Margot., 1970
A Peal in Air / Cobbing, Bob., 1990
A Peal in Air / Cobbing, Bob., 1990
A Peal in Air / Cobbing, Bob., 1990
A Peal in Air / Cobbing, Bob., 1989
A Peal in Air / Cobbing, Bob., 1968
The verso of this drawing became a printed concrete poem by Jiri Valoch entitled Structure 1. -- Source of annotation: Marvin or Ruth Sackner.
A Peal in Air / Cobbing, Bob., 1970
Text on this poster indicates that Cobbing's "visual poems are either notations for sound poems or complex monotypes using many techniques to destroy or re-create the word." -- Source of annotation: Marvin or Ruth Sackner.
A Performance of Concrete and Sound Poetry/An Exhibition of Concrete and Visual Poetry / Cobbing, Bob ; Fencott, P.C. ; Marvin Sackner ; Ruth Sackner., 1982
The exhibition was curated by Ruth and Marvin Sackner. The catalogue was issued on the occasion of the exhibition and performance of Cobbing and Fencott at the Richter Library, University of Miami, February 25, 1982. The exhibition and performance was sponsored by Josephine Johnson, University of Miami. -- Source of annotation: Marvin or Ruth Sackner.
A : plan for a monument / curry, jw., 1982
This work was printed in Interstate No.15, 1982, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
A Poem / curry, jw., 1983
This drawing first published as Curvd H&Z No.208, 1983 was later included in can't afford no Kodak Instamatik Instamatik Vol.2. -- Source of annotation: Marvin or Ruth Sackner.
A Poem / Rypson, Piotr., 1980
A Poke in the I: A Collection of Concrete Poems / Janeczko, Paul B., editor ; Raschka, Chris ; Morgan E ; Johnson R ; Hollander J ; Williams E ; Saroyan A ; Solt ME ; Finlay IH ; Dohl R ; Froman R ; Chasin H ; Thibaudeau C ; Graham J., 2001
Janeczko selected the concrete poems in books published by established concrete poets. Chris Raschka illustrated the poems with semirealistic and surrealistic comic-like characters to create picture poems. -- Source of annotation: Marvin or Ruth Sackner.
A Preliminary Draft of the d.a. levy Collection / Anacapa Books ; levy da ; Atkins R ; Berge C ; Blazek D ; Butcher G ; Cook G ; Dagmar ; Katzman A ; Krech R ; Kryss TL ; Salamon R ; Morris R ; Fox H ; Sigmund RJ ; Taylor K ; Wagner Dr ; Zack D ; Crews J., 1992
This check list of works by d.a. levy and his circle was collected by David Wirshup, owner of Anacapa Books. -- Source of annotation: Marvin or Ruth Sackner.
A Pretty Kettle of Fish / Finlay, Ian Hamilton ; Tammes, Diane., 1974
A Priori / Jenks, Tom., 2008
A.I.S. Newman (Amazon.uk.com): In Tom Jenks's 'A Priori' W. H. Auden's 'Journal of an Airman' meets the Fluxus of George Maciunas. These twentieth-century artistic aesthetics, or perspectives, are reinvigorated by the poet's discussion of something very new: the democratisation of information through the internet. But, this book raises the question: is one empowered or controlled by this information?This is a truly excellent read with much of the wit and energy of Fluxus. One gets the impression that something very special is emerging in this first incarnation of 'If P Then Q', and that in ten years time this tome will look as impressive on one's bookshelf as B. S. Johnson's The Unfortunates. -- Source of annotation: Marvin or Ruth Sackner.