Concrete poetry
Found in 883 Collections and/or Records:
Consumito , 1975
This book prints a selection of Branco's poems from 1963- 1974. -- Source of annotation: Marvin or Ruth Sackner.
[Contribution for one word issue of Impulse], 1990
Controlling Time, 2010
McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. -- Source of annotation: Marvin or Ruth Sackner.
CONverse 1-5, 1972
Includes a card written to Pete [Peter Finch?] by Belsey requesting mention of these five cards in your "scene." -- Source of annotation: Marvin or Ruth Sackner.
Cornponetonepome, 1963
d.a. levy was the proprietor of Renegade Press. The title poem was set in the style of e.e. cummings. The poems entitled "Sound Poems" are actually tongue-twisters. This was Heckman's only book. -- Source of annotation: Marvin or Ruth Sackner.
Cortado por la Misma Tijera, 1977
Damaso Ogaz (1924-1990). -- Source of annotation: Marvin or Ruth Sackner.
Counter-Blast, 1969
This book designed by Harley Parker is a contemporaneous parody of Wyndham Lewis' Vorticist magazine Blast. -- Source of annotation: Marvin or Ruth Sackner.
Counter-Blast, 1969
This is a parody of Wyndham Lewis' magazine "Blast," with its contents dealing with communication and the Information Age. -- Source of annotation: Marvin or Ruth Sackner.
Covent Garden Broadsheet: Beethoven Today. No.1, 1971
Designated Broadsheet No.1. -- Source of annotation: Marvin or Ruth Sackner.
Cover Design for Neue Texte No.2: Integration Alone is not Enough Marco Movies Natter I II, 1969
Cried and Measured, 1977
The poems are based on lists of names in the Aramaic writings of the Jews of Elephantine, Egypt. There is also an essay about the Elephantine Jews, an island in the Nile river at Egypt's southern border who lived in that place in the fifth century B.C. -- Source of annotation: Marvin or Ruth Sackner.
Cross + Kreuz / Myslowski, Tadeusz., 1984
Crossword, 1975
The block letterforms with equal dimensions and spacings have positive/negative structures that give rise to optical effects. -- Source of annotation: Marvin or Ruth Sackner.
Crow & Cough!, 2001
Cum See Cum Sa / Anonymous., 1980
The object is a moebus strip with printed continuous text. -- Source of annotation: Marvin or Ruth Sackner.
d.a. levy's " destructive writing" and the Instant of Communication, 1998
Swanberg (aka Markhardt) analyzes levy's poem, "Selected Writings" of 1967, "in which no images appear and in which the words and lines bleed with a superabundance of black mimeo ink ringed by a faint aura of oil...The poem's destructive writing is a putting to death of words. Its realm is without mastery, without time. It is the instant of a complete spending, in which words are sacrificed and the poem IS." -- Source of annotation: Marvin or Ruth Sackner.
d.a.levy's Poems and Collages Cleveland and Madison 1962-8, 1982
Includes the same collages reproduced in b & w in Quixote Vol.4 No.6. -- Source of annotation: Marvin or Ruth Sackner.
