This poem was composed with the same layout as the one with the same title but with "Chinese-like lettering" in conventional hand printing. -- Source of annotation: Marvin or Ruth Sackner.

In a personal communication to the Sackners, Adler commented that this poem-drawing was an attempt at a new visual alphabet equivalent to Chinese lettering. -- Source of annotation: Marvin or Ruth Sackner.

The photograph appears to be a distorted image of the repeticious title placed on a loose fabric. -- Source of annotation: Marvin or Ruth Sackner.

The photograph appears to be a distorted image of the repeticious title placed on a loose fabric. -- Source of annotation: Marvin or Ruth Sackner.

Some of these books contained a 33 1/3 rpm record; this copy did not. -- Source of annotation: Marvin or Ruth Sackner.

Of 42 copies published, 30 were distributed to the friends of author and publisher; only 12 were sold to the public. -- Source of annotation: Marvin or Ruth Sackner.

Each page is a print depicting geometric arrangements of the letters listed in the title. -- Source of annotation: Marvin or Ruth Sackner.

Four wooden, pie-shaped panels painted BEFORE AFTER in black are hinged to the circular wood base painted DEATH BIRTH in red. -- Source of annotation: Marvin or Ruth Sackner.

Also designated two-bitter #56. Comprises an anthology dealing with poetic works written by lefler from 1974-1994. -- Source of annotation: Marvin or Ruth Sackner.

This book includes a reproduction detail of a Daniel f. Bradley rubberstamped drawing on sleep; the original is held by the Sackner Archive. The Sackner Archive also holds the original typing by Basmajian entitled "After Weeks and Weeks in the Intensive Care Unit" that is reproduced in this book. The total run of this book is probably 300 copies (signing not called for). -- Source of annotation: Marvin or Ruth Sackner.

This book consists of a wide range of Pie O's poems that often are spinkled with an Australian dialect. The pages from his visit to America on a Guggenheim fellowship deals with his political views as an anarchist. He dedicated this book to Thalia. -- Source of annotation: Marvin or Ruth Sackner.

In this book which is also designated as Tangenten No.4, a small square of mirror is set in stamped out thin card pages. One glassine page overlays it with a printed magic square poem. Parts of the backing of the mirror have been scatched out by the artist and it has been glued down to the card. Poetry has been printed on the pages with the stamped out sections. This book was edited by Walter Aue. -- Source of annotation: Marvin or Ruth Sackner.

This work was made for a performance in Saarbrucken, West Germany, January 1977. -- Source of annotation: Marvin or Ruth Sackner.