Concrete poetry
Found in 6449 Collections and/or Records:
20 Jaar de Tafelronde 1953/1973 / De Vree, Paul, editor ; Debbaut, Jan, editor ; Coenen, Jean-Paul, editor ; Chopin H ; Albert-Birot P ; Houedard DS ; DeVree P ; Finlay IH ; Adler J ; Valoch J ; Ockerse T ; Cobbing B ; DeRook GJ ; Solt ME ; Accame V ; Blaine J ; Sarenco ; Gerz J ; Phillips MJ ; Riddell A ; Arias-Misson A ; Kostelanetz R ; Seuphor M ; VanBrugghen J ; Vroom I ; DeCampos A ; Pazos L ; Santos AJ ; McCaffery S ; Hausmann R ; Schmidt SJ ; Ulrichs T ; Bory JF ; Dufrene F ; Garnier I ; Garnier P ; Gette PA ; Heidsieck B ; LeSidaner JM ; Leveque JJ ; Moineau JC ; Tapie M ; Claire P ; Gibbs M ; Horovitz M ; Mayer P ; Zurbrugg N ; Carrega U ; Isgro E ; Marcucci L ; Miccini E ; Mignani R ; Nannucci M ; Oliva AB ; Perfetti M ; Lora-Totino A ; Vaccari F ; Niikuni S ; Todorovic M ; Clavin H ; DeVries H ; Joseph R ; Mund Hjr ; Copithorne J ; Hidalgo J ; Meyboom P ; Nucha N ; Millan F ; Kocman JH ; Trinkewitz K ; Valoch J ; Padin C ; Etlinger A ; Fernbach-Flarscheim C ; Hompson DD ; Ockerse T., 1975
This catalogue documents each issue of De Tafelronde and reproduces exemplary visual/verbal poems from the publications. An index of contributors is provided. This book is stored with the periodical of the same name. -- Source of annotation: Marvin or Ruth Sackner.
20 Jahre Rainer Verlag, 1986
21st-Century Modernism: The "New" Poetics / Perloff, Marjorie ; Altieri C ; Andrews B ; Antin D ; Apollinaire G ; Arnheim R ; Ashbery J ; Bernstein C ; Blaser R ; Bok C ; Cage J ; Drucker J ; Duchamp M ; Ginsberg A ; Hamilton R ; Henderson L ; Hejinian L ; Howe S ; Janecek G ; Joyce J ; Khlebnikov V ; Kruchenykh A ; MacLow J ; McCaffery S ; Malevich K ; Marinetti FT ; Mayakovsky V ; Phillips T ; Pound E ; Silliman R ; Stein G ; Schwarz A ; Waldrop R ; Werschler-Henry D ; Wittgenstein L ; Yeats WB ; Zukofsky L ; Eliot TS ; DeCampos A ; DeCampos H., 2002
23 sins / Neaderland, Louise Odes., 2003
The pages are cut in horizontal ribbons with a single word containing "sin or cin or syn" on a page such as sincere, synagogue, cinder, cinema and Cinncinnati. -- Source of annotation: Marvin or Ruth Sackner.
25 Extracts from 25 Cards / Baines, Phil., 1987
The content of the cards from which this booklet was printed is diaristic. -- Source of annotation: Marvin or Ruth Sackner.
27 Avril 1988 Remember / Blaine, Julien., 1976
30 Signatures to Silver Catches / Finlay, Ian Hamilton ; Sandeman, Margot., 1971
The name of a fishing ship which is printed on each page in its original typeface provides a poetic expression as the pages are turned. -- Source of annotation: Marvin or Ruth Sackner.
31 Erotic Concrete Sonnets for Samantha / Phillips, Michael Joseph., 1979
This copy was mailed to Luigi Ballerini. The poems are mostly repetitiously printed of a single or a few words. -- Source of annotation: Marvin or Ruth Sackner.
31 Poemas / Gomringer, Eugen ; Percy Garnier, translator ; Philadelphio Menezes, translator., 1988
[33XX] / spence, pete., 2002
34 Letras. No.4/Jun / DeCampos A ; DeCampos H., 1989
40 Poem(a)s / cummings, e.e. ; Augusto De Campos, translator., 1986
Includes reproductions of the correspondence between cummings and De Campos focusing on the typesetting of the poems. -- Source of annotation: Marvin or Ruth Sackner.
40 + Product of Holland, 1968
The poem with gold colored, repetitive words is printed in the shape of a tondo. -- Source of annotation: Marvin or Ruth Sackner.
41P / Beaulieu, Derek., 1999
This print is housed in a brown paper portfolio with "House Press" and its logo silkscreened onto it along four other prints. -- Source of annotation: Marvin or Ruth Sackner.
45 Modelli de Uso / Carrega, Ugo., 1981
An explanation of each work is provided in a soft cover book accompanying the works that are stored within the large green box in form-fitted compartments. The translation from the Italian is handwritten in English on the verso of each of the 45 works. Carrega comes to concrete and visual poetry from a literary tradition rather than as a visual one This work is a mini-retrospective of his oeuvre dating from 1955; it has a great deal in common with conceptual art and text. -- Source of annotation: Marvin or Ruth Sackner.