Skip to main content

Concrete poetry

 Subject
Subject Source: Sackner Database

Found in 1121 Collections and/or Records:

Amazonica N.3 (Mini-Conto), 1999

 Item — Box Artist Boxed Materials/Oversized: D: [Barcode: 31858072491370]
Identifier: CC-36525-38326
Scope and Contents

The theme of this poem deals with Brazil's rain forest. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

An Opera, 1963

 Item — Box 272: [Barcode: 31858072460938]
Identifier: CC-43838-45934
Scope and Contents

A note in Fluxus Codex indicates that this work was included in several Fluxus assemblage boxes and also sold separately. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

Ana 1 - 5 / Cobbing, Bob., 1972

 Item — Box 391: [Barcode: 31858072461555]
Identifier: CC-17516-17882
Scope and Contents

This book represents a performance copy of "Spearhead" (2nd & 3rd editions held by Sackner Archive) onto which is added written and typed notes. There are five performances of "Ana." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

And all is dead - And nothing moves, 1968

 Item — Folder 51: [Barcode: 31858072537842]
Identifier: CC-37571-39428
Scope and Contents

In a personal communication to the Sackners, Adler commented that the poem in this drawing (last two lines) was based upon his first accomplished poem (Live to Circle). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Anthology Meaning Meanings, 1989

 Item
Identifier: CC-28995-30331
Scope and Contents

This booklet was written for a workshop in a grade school class and is a second edition of the book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Arabics, 1989

 Item
Identifier: CC-05562-5669
Scope and Contents

The pages of this book consist of different arrangements and typefaces of the numbers 0-9, each page depicting a single number variation. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Archive for Stuttgart Max Planck Project / Finlay, Ian Hamilton; Costley, Ron., 1972 - 1978

 Item — Box 454: [Barcode: 31858072462173]
Identifier: CC-12667-12908
Scope and Contents In Sept 1972, Finlay enters into correspondence with Jurgen Brenner, a German architect, about a commission for an installation within a garden at the Max Planck Institute in Stuttgart. He selects Costley as the calligrapher and artist for the preparatory drawings. He writes Brenner that he wants "free-drawn letters...as opposed to rigid typographic letters. I consider it essential that poems that people are going to see every day, are verbal/visual/decorative, rather than (as it were) merely literary." In Nov-Dec 1972, Finlay sends instructions to Costley about execution of the sculpture for the installation. The poems in English & German include tile murals, Wave/Rock, Wave, Star/Steer, Sails/Waves, and, sundials, Sea/Land. He follows this up with suggestions for Latin & French versions. Finlay's 2nd list of poems include Schiff, Ark/Arc, Homage to Seurat, Cloud, Gourd (together with Nuclear Sail & Fountain/Sphinx), Set of Wild Stones, and The Colours of the Vowels....
Dates: 1972 - 1978

Archive of Du meme auteur, 2000

 Item
Identifier: CC-52877-74015
Scope and Contents

Includes a photocopy of Mallarme's Un Coup de Des (1914), -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Archive of Retour au Japon: calligrames et fragments de journal intime, 1996

 Item — Box Artist Boxed Materials/Oversized: Bis-Bu: [Barcode: 31858072491271]
Identifier: CC-27683-28771
Scope and Contents

The book is a diary of Bory's trip to Japan along with 25 concrete and visual poems about his experience there. The poems are designated calligrammes by Bory. The sketches for the concrete poems in ink and graphite were subsequently printed from a computer with a laseror nk jet printed -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Are Your Children Safe? In the Sea? / Cobbing, Bob., July 1998

 Item — Box 388: [Barcode: 31858072463676]
Identifier: CC-44990-47166
Scope and Contents

This work was published as a triptych of prints in 1964 and then as broadsides in Eyearun in 1966. Cobbing stated on title page that first publication was 1966 but the Sackner Archive holds the prints published in 1964. -- Source of annotation: Marvin or Ruth Sackner.

Dates: July 1998

Arlington Two , 1967

 Item — Folder 63: [Barcode: 31858072537974]
Identifier: CC-25650-26108
Scope and Contents

Exhibition was organized by the students of Bath Academy of Art to carry out projects proposed by their three teachers, Furnival, Finlay, and Houedard. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967