Concrete poetry
Found in 883 Collections and/or Records:
1st Exercise on Guillaume Apollinaire, Le Mel-Amie , 1968
2nd Exercise on Guillaume Apollinaire, Le Mel-Amie, 1968
3 Keramikere, 1989
The Sackner Archive holds a ceramic piece by Kristiansen. -- Source of annotation: Marvin or Ruth Sackner.
3 Visual Waka, 1986
3 Vitre, Edizioni di Polipoesia, No. 1: Chercher/Rumore d'Ombra, 1983
3rd Exercise on Guillaume Apollinaire, Le Mel-Amie , 1968
{4} Poems, 2010
The poems were composed with letraset and distorted by photocopying. -- Source of annotation: Marvin or Ruth Sackner.
6 Cleveland Prints Vol 2, 1964
d.a.levy was the owner of the Renegade Press. None of the prints have linear, readable elements. This copy has a two duplicate prints entitled, "lakefront at night" which was a separate purchase in 1981. The signed levy print is entitled, "leos casino." -- Source of annotation: Marvin or Ruth Sackner.
8 or 9 Poems, 1971
12 visual poems for a workshop 2nd edition, 2010
This book was first published in 40 copies in 2008. -- Source of annotation: Marvin or Ruth Sackner.
15, 1976 - 1980
The typed letters in several books have been expanded by several passes through a photocopier. -- Source of annotation: Marvin or Ruth Sackner.
16 textsigns, 1969
This is an announcment for an edition of colored and uncolored plexiglas concrete poetic prints. -- Source of annotation: Marvin or Ruth Sackner.
20 Jaar de Tafelronde 1953/1973 , 1975
20 Jahre Rainer Verlag, 1986
36. In the Beginning / Furnival, John., 1965
The poster depicts a stylized phallus formed from letters with a center channel ejecting the biblical phrase "In the beginning was the word..." The number 36 in the title refers to Furnival's 36th birthday -- Source of annotation: Marvin or Ruth Sackner.
40 + Product of Holland, 1968
The poem with gold colored, repetitive words is printed in the shape of a tondo. -- Source of annotation: Marvin or Ruth Sackner.
41P, 1999
This print is housed in a brown paper portfolio with "House Press" and its logo silkscreened onto it along four other prints. -- Source of annotation: Marvin or Ruth Sackner.
1970-1972, 1973
1982 Janine, 1984
This is Gray's second novel. The story deals with the life of an alcholic, Scottish electrician who fantasizes about sexual bondage scenes and akin those in "The Story of O." The protagonists relations with his mistress, wife and family as well as his friends constitutes the major portion of the book. Gray's Epilogue reveals sources for the story structures in the various chapters. The book includes several pages with highly experimental concrete poetic layouts. This American edition of the book is larger in size than its British edition, also held by the Sackner Archive. ln addition, this increase size is reflected in the image and typeface of the dust jacket. The dust jacket, that was designed by Gray, summarizes the content of the novel on its left side and depicts a self-portrait by Gray in the form of a line drawing on its right side. -- Source of annotation: Marvin or Ruth Sackner.
1982 Janine, 1984
This is Gray's second novel. The story deals with the life of an alcholic, Scottish electrician who fantasizes about sexual bondage scenes and akin those in "The Story of O." The protagonists relations with his mistress, wife and family as well as his friends constitutes the major portion of the book. Gray's Epilogue reveals sources for the story structures in the various chapters.The book includes several pages with highly experimental concrete poetic layouts. This British edition of the book is smaller in size than its American counterpart, also held by the Sackner Archive. ln addition, this decreased size is reflected in the image and typeface sizes comprising the dust jacket. The dust jacket, that was designed by Gray, depicts inverted 'Y's' in a grid on its left side and upright 'Y's' on its right side. -- Source of annotation: Marvin or Ruth Sackner.