Concrete poetry
Subject Source: Sackner Database
Found in 607 Collections and/or Records:
Make Perhaps this Out Sense Of Can You [Varient] / Cobbing, Bob ; Abess M ; Traister D ; Sackner MA ; Sackner RK., 2007
This catalogue was published for the exhibition of works of Bob Cobbing selected from the Sackner Archive. The curator, Matthew Abess, SAS '08, was an intern in the Archive during the summer of 2006 when he researched the material for this exhibition. In addition to writing an in-depth catalogue essay, Matthew Abess organized recorded sound poetry readings on multiple head phones in the gallery, and planned a seminar with cris cheek and Maggie O'Sullivan at the Writers House. Since the printing was faded in various parts of sentences on the last pages, Marvin Sackner pointed out that this should be considered a varient and was reminiscent of Cobbing's photoduplicator books. The catalogue was subsequently reprinted appropriately. -- Source of annotation: Marvin or Ruth Sackner.
Man Aging Direct Or, 1984
Manhattan, 1973
The images of this print are depicted as a standing screen on pages 46-47 in Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.
Marsupialamour, 1956
Marvo Movies Matter / Cobbing, Bob., 1968
The duplicate is signed but not dated. -- Source of annotation: Marvin or Ruth Sackner.
Meio Ambiente, 1999
Mens Mier, 1969
Mat stamped "Editore Francesco Conz." -- Source of annotation: Marvin or Ruth Sackner.
Mercado, 1978
This poem object was designed by Regina Vater and Cezar Augusto. -- Source of annotation: Marvin or Ruth Sackner.
Messages from a Typewriter, 1980
The selections of this book are classified according to the following topics: Bus and Beasts, Levitation Practice, the "a" s, Words & Allusions, Landscapes, Bananas. -- Source of annotation: Marvin or Ruth Sackner.
Metal Farm, The: Horizon. No.7, 1991
Edited by Daniel f. Bradley. One of the poems was first published as one cent No.281 1991. -- Source of annotation: Marvin or Ruth Sackner.
Miami Beach More Than a Million Poems, 1986
This sculpture contains forty words hand printed in ink on the sides of ten wooden square blocks. Each block, that can rotate on a wooden dowel through hand movement, measures 11.4 x 11.4 x 2 cm. The words selected by Phillips for each block are: Modernism, Miami Beach, Moonlight, Memory - Inspires, Indulges, Identities, Ignores - Ambiguous, Amorous, Artistic, Abstract - Madness, Mythology, Miracles, Moments - Idiotically, Inwardly, Ineptly, Intensely - Brainless, Backward, Bohemian, Beautiful - Egoists, Emotions, Erections, Eccentrics - Always, Artfully, Already, Absurdly - Confuse, Clarify, Complete, Celebrate - History, Heartache, Happiness, Hysteria. The first letter of each block vertically spells Miami Beach.Illustrated in "Works and Text 1992 " on page 110. -- Source of annotation: Marvin or Ruth Sackner.
Mirror Text, 1976 December
Designated Card Series No.19. -- Source of annotation: Marvin or Ruth Sackner.
Mitmedien, 1975
The microfiches depict Kriwet's work from 1960-1975. -- Source of annotation: Marvin or Ruth Sackner.
Mitogramas (1968-1976), 1978
Mobius Poem: Being a Four Dimensional Concrete Poetry Happening, 1969
This work is also designated two windows folio V. The concrete poem is printed on a Mobius strip. -- Source of annotation: Marvin or Ruth Sackner.
[monks monks monks] (060963), 1963
DSH has typed five columns with seven lines of the words 'monks' with the following different wods randomley placed: flies, poetry, work, prayer, ? , weather. -- Source of annotation: Marvin or Ruth Sackner.
Mr. G. White, of Messrs. Green & White, 1975
much ado for nothing, 1994
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
much ay ay aye, 1994
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
