Concrete poetry
Subject Source: Sackner Database
Found in 1054 Collections and/or Records:
HUJ, 1974
This print was published as page 37 in Ceolfrith No.28: Bob Cobbing & Writers Forum. -- Source of annotation: Marvin or Ruth Sackner.
I Poem From The Five Vowels, 1977
This poem was submitted for publication in Pink Peace. Cobbing notes on the verso of this print that this a new - and somewhat differently aimed version of the original two pages of the poem. -- Source of annotation: Marvin or Ruth Sackner.
[I was a trophy wife], 1992
The piece has writing on it in two places, reading, "I was a trophy wife" and "After us the savage god."
Ian Hamilton Finlay: Prints, 2004
Prudence Carlson wrote the essay for this catalogue. The Sackners attended this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
ICA Expo BPP/ Selective Notes On 3 Aspects: Review of Exhibition For Tlaloc, 1965
Idioms of 'Krete: Selections of idiomorphic concrete poetry, 2000
One poem is printed on each of the pages except for a few pages with brief commentary.The following text is printed on the back cover. "Literature is the only artform whose organon is already symbolic. Concrete poetry has always been devoted to the breakdown of the assumed symbolism, either to reform a new one or to celebrate raw, lingual materiality for its own sake. While one branch seeks a new understanding of what was always there through this breakdown - most evident in 'found poetry' - and this is called the 'collective branch'; the other, the ideomorphic, seeks to forever push the process into fresh and singular dislocation. Here are three poets with the latter propensity: Haiku-focused LeRoy Gorman with his constuctivist tendencies, the more sculptural Daniel f. Bradley, minimalist panache in tow and cheek and the graphically ham-fisted Marshall Hryciuk, who feels positively didactic next to the other two." -- Source of annotation: Marvin or Ruth Sackner.
Ignore This Sign, 1986
The concrete poems by Belsey in this book are highly innovative and entertaining. -- Source of annotation: Marvin or Ruth Sackner.
Image Visage, 1983
The pages of this book are black and the poems and illustrations are grey, blue, red and turquoise. The hand done typography is highly stylized. -- Source of annotation: Marvin or Ruth Sackner.
In Any Language / Cobbing, Bob., 1973
Designated Card Seies No.9. -- Source of annotation: Marvin or Ruth Sackner.
Infinito Trionfo, 1996
The folded loose sheet is a reproduction of a poem that Lora-Totino wrote in 1980. -- Source of annotation: Marvin or Ruth Sackner.
Integration Alone Is Not Enough / Cobbing, Bob., 1966
Introduction to Concerning Concrete Poetry / Cobbing, Bob; Mayer, Peter; Mallarme S; Apollinaire G; Albert-Birot P; Seaman D; Hausmann R; Belloli C; Houedard DS; Gomringer E; Dufrene F; Chopin H., 1974
Consists of an introduction into the history of concrete Poetry. -- Source of annotation: Marvin or Ruth Sackner.
Inventing What He Finds / Cobbing, Bob ; Morgan E., 1990
Consists of a mini-anthology of Cobbing's works including the cut-up technique which constituted his earliest experimental efforts. -- Source of annotation: Marvin or Ruth Sackner.