Concrete poetry
Subject Source: Sackner Database
Found in 1054 Collections and/or Records:
Little Xerox Book: Concrete. No.1, 1979
The cover of this booklet, "Concrete Tree," was published as a card by Editions Brian Lane and is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Livre d'Amour d'Ilse, 1984
Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Livro de Sonetos, 1994
Avelino de Araujo was born in 1963 in Patu-RN, currently lives in Natal, where he is also a physician and artist. Produces literature / visual / intersemiotic / experimental poetry since 1979, his works have been printed in over 250 magazines, newspapers and anthologies on all continents. The author also has several works in textbooks and an active participant in Mail Art Art in the 70s, 80s and 90s. -- Source of annotation: Marvin or Ruth Sackner.
Lletra Coixa/Letra Coja, 1996
The poem object consists of a large wooden capital letter 'A' with one of its legs shortened and placed over a pile of lower case, cut-out, black paper letters and crosses. The letters 'u' & 'd' can be distinguish among others in this pile. Since the title of this work is "Lewd Woman Letter," the 'A' probably symbolizes adultress, as in "The Scarlet Letter" by Nathaniel Hawthorne. -- Source of annotation: Marvin or Ruth Sackner.
LORA-TOTINO ED 912 Posters (Situazione, No. 5): Movimento, 1966
On the verso of thIs numbered copy, the signature of the previous owner, Bob Cobbing appears. -- Source of annotation: Marvin or Ruth Sackner.
Lumiere / Cobbing, Bob, editor ; Cobbing B ; Garnier P ; Garnier I ; Keith B ; Lora-Totino A ; Tanabu H., 1994
Luxo Lixo, 1965
This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.
Luz (From Composicion de Lugar), 1976
lygia fingers (poetamenos), 1953
This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.
lygia fingers (poetamenos), 1973
machine collect (040964), 1963
This poem is dedicated tor peter levi. -- Source of annotation: Marvin or Ruth Sackner.
Mahayana: Art / Burgess, Molly., 1975
Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.
Mahayana: Center / Burgess, Molly., 1975
Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.
Mahayana: dream / unreal / Burgess, Molly., 1975
Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.
Mahayana: illusion / cause effect / Burgess, Molly., 1975
Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.
Mahayana: realization / Burgess, Molly., 1975
Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.
