This photograph depicts a sundial sculpture, "The Four, Seas, -Ons In, Sail. A sail is placed in the center to deflect the sun and cast a shadow. -- Source of annotation: Marvin or Ruth Sackner.

This sheet depicts rows of 35 mm film strips that document Kriwet's mandalas as public literature. -- Source of annotation: Marvin or Ruth Sackner.

The images in this book are letraset collages; the fold-out depicts the "untitled" letraset collage in the collection of the Sackner Archive. The loose sheet is an Beaulieu's explanation as to why he prefers letraset and typing to computer generated art. -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts a letter picture. The pages are mostly abstract markings with a few letters. -- Source of annotation: Marvin or Ruth Sackner.

The black sculpture consists of the Hebrew letter Taw (T). The numerical value of this letter is 400. -- Source of annotation: Marvin or Ruth Sackner.

This is Finlay's first book of concrete poetry based upon a typed layout. Sixtenn poems are printed in red color. -- Source of annotation: Marvin or Ruth Sackner.

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

This first edition differs from the later, revised edition in its covers, fold-outs, and the presence of an offset page. There are more rubberstamped texts and less typewriter poetry in the first edition than the revised edition. The revised edition also has pages printed in red ink whereas the first edition does not. -- Source of annotation: Marvin or Ruth Sackner.

This depicts a square of composed of two words in capital letters THALAMUS & SOL. Houedard has composed several poems using the neurologic structure, Thalamus, as their basis. -- Source of annotation: Marvin or Ruth Sackner.