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Conventional poetry

 Subject
Subject Source: Sackner Database

Found in 3988 Collections and/or Records:

What Are You Doing? / levy, d.a.., 2008

 Item
Identifier: CC-48757-69791
Scope and Contents

The cover depicts a detail of a painting entitled "Non-Sectarian Crucifixion," a work held by the Sackner Archive. This numbered work is also designated as Card 13 from "Stories from the Flats." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008

What / bissett, bill., 1974

 Item
Identifier: CC-20949-21358
Scope and Contents

The typewriter derived prints in this publication are printed on different weight and colored papers. A critical analysis of these poems was written by jw curry in an unpublished manuscript, What about what (1985). He pointed out that permutation of what to 'twhat or twat' depicted "by typewriter drawings of female genitalia, more 'pedals uv yr luv' opening into the fullness of an upper-cased WHAT..." Atwha signifies 'a trois,' depicted by 2 sexual images, one a photograph, the other a typed poem with x's & o's. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

what dyou mean poetrys like bed? (231161) / Houedard, Dom Sylvester., 1961

 Item
Identifier: CC-57851-10001102
Scope and Contents This is a great poem about the far reaching impact of poetry.nThe Aramaic words 'maran atha' are written towars the end of the poem followed by the repeated phrase 'god come. Wikpedia: 'If one chooses to split the two words as מרנא תא (maranâ thâ), a vocative concept with an imperative verb, then it can be translated as a command to the Lord to come. On the other hand, if one decides that the two words מרן אתא (maran 'athâ), a possessive "Our Lord" and a perfect/preterite verb "has come," are actually more warranted, then it would be seen as a credal expression. This interpretation, "Our Lord has come," is supported by what appears to be an equivalent of this in the early credal acclamation found in the biblical books of Romans 10:9 and 1 Corinthians 12:3, "Jesus is Lord." In general, the recent interpretation has been to select the command option ("Come, Lord!"), changing older decisions to follow the preterite option ("Our Lord has come") as found in the ancient...
Dates: 1961

What featured Writer? George Swede / curry, jw; Swede G., 1985

 Item
Identifier: CC-20629-21031
Scope and Contents

This article appeared in What #2 as an introduction to Swede's work in the magazine. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

What the Hell Pamphlet Series, The: About the Fabulous Sneeze. No.6 / Louis Phillips., 1982

 Item
Identifier: CC-00358-366
Scope and Contents

Contains facts and superstitions about sneezing. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

What the President Will Say and Do!! / Gins, Madeline., 1984

 Item
Identifier: CC-10209-10410
Scope and Contents

Includes a tongue-in-cheek essay, "How to Breathe," containing such information as "Breathed. History was. Breathing will be found to be a prerequisite for 1.Getting a license, 2.Finding a job, 3.Having children, 4.Starting a revolution, 5.Being an idiot, 6.Laughing." Anxious? No psychiatrist in the country would touch your case unless he/she were sure (assured?) that you were breathing." Gins also gives directions for a performance involving controlled breathing in this essay. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Wheel, The / H. G. Martens, editor ; Phillips T ; Rudkin D., 1957 - 1958

 Item
Identifier: CC-00480-492
Scope and Contents

Tom Philllips contributed seven drawings to this issue while he was a student at St. Catherine's College at Oxford University. He also contibuted a poem entitled "A Painter's Reckoning". -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1957 - 1958

When Old Happens I'll Probably be Thirty / Tomoyasu, Larry., 1994

 Item
Identifier: CC-01712-1748
Scope and Contents

The booklet is shaped like a match book cover. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Where Are They Now? (The Class of Forty-Seven) / Phillips, Tom ; McHugh, Heather ; Minsky R., 1990

 Item
Identifier: CC-04818-4910
Scope and Contents

The book is based upon Phillips' collaged portraits of classmates attending his primary school, which was exhibited in London at the National Portrait Gallery in 1988. Phillips sent copies of 31 images to the American Seattle poet, Heather McHugh, who composed a poem for each portrait. Phillips then interpreted the poems in the style of "A Humument." His new text sometimes reaffirms and other times contradicts the poet's intrerpretation of the pictures. The collage, conventional poem and visual poem were printed by Minsky on the same page using Richard de Bas paper, a computer, and a Canon BJ-130 inkjet printer. This copy is the only one that contains the 31 images and poems handcolored by Phillips. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Whitesung / Finch, Peter., 1972

 Item
Identifier: CC-10760-10970
Scope and Contents

This book is also designated Aquila Pamphlet Poetry Six. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972