Critical text
Found in 8 Collections and/or Records:
Brazilian Concrete & Visual Poetry from the Ruth & Marvin Sackner Archive / Craig Saper, curator ; Charles Perrone, curator ; Cluver C ; Greene R ; Saper C ; Braga E ; Xisto P ; deBarros L ; Albino de Souza E ; Azeredo R ; Bonvicino R ; DeCampos A ; DeCampos H ; Pignatari D ; DeOliviera W ; Plaza J ; Sackner MA ; Sackner RK ; Perrone C., 1989
Lectures by Claus Cluver and Roland Greene were presented in conjunction with the exhibition. The Sackners lent most of the works in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Concrete Poetry into Music: Oliveira's Intersemiotic Transposition / Cluver, Claus; Correa de Oliveira W; DeCampos A., 1982
Cluver analyzes Willy Correa de Oliveira's music score for Augusto DeCampos' poem "Memos." -- Source of annotation: Marvin or Ruth Sackner.
From Imagism to Concrete Poetry: Breakthrough or Blind Alley? / Cluver, Claus; Saroyan A; Solt ME; Williams E; Indiana R; DeCampos A; Gomringer E; Mallarme S., 1987
Cluver presents definitions of Concrete Poetry and its controversies. Robert Indiana's "LOVE" works and e.e. cummings poem "brIght" are analyzed. -- Source of annotation: Marvin or Ruth Sackner.
Klangfarbenmelodie in Polychromatic Poems: A. von Webern and A. DeCampos / Cluver, Claus; DeCampos A; Webern A., 1981
Cluver brings out the connections of August DeCampos' colored textural, concrete poems to the colored musical compositions of Anton von Webern. -- Source of annotation: Marvin or Ruth Sackner.
Languages of the Concrete Poem / Cluver, Claus; Saroyan A; Gomringer E; Xisto P; Herrmann V; Pignatari D; Plaza J; DeCampos A; Cage J; deBarros L., 1987
Cluver analyzes the following Concrete Poems: Saroyan's "MM," Gomringer's "Silencio," Xisto's "Epithalamium II," Herrmann's "K8," Pignatari's "LIFE," Plaza's "Organismo Aureo," DeCampos' "Eis Os Amantes," Cage's "Chance: Change," and DeBarrios' "Lingua." -- Source of annotation: Marvin or Ruth Sackner.
Notes on the Translation of Augusto DeCampos' MEMOS (excerpts): Memos / Cluver, Claus; DeCampos A., 1981
Orientations: Space/Time/Image/Word / Cluver, Claus, editor ; Plesch, Veronique, editor ; Hoek, Leo, editor ; Boltanski C ; Kamensky V ; DeCampos A ; Pignatari D ; Xisto P ; deSouza EA., 2005
This book is number 5 in Word & Image Interactions. REgine Rapp contributes a chapter "Tango with Cows: Russian Futurist Book Art" in which she analyzes the book work of poet and artist Vasily Kamensky, a member of the group called Hylaea. Claus Cluver's essay "Mini-Icons: Letterforms, Logos , Logopoems" refers to the work of the Brazilian poets. Alan Prohm contributes an essay "Resources for a Poetics of Visual Poetry." -- Source of annotation: Marvin or Ruth Sackner.
Painting into Poetry / Cluver, Claus; DeCampos H; Duchamp M; Stein G; Vroom I., 1978
Cluver analyzes Ivo Vroom's "Homage to Mondrian," with respect to the painting "Victory Boogie-Woogie," including the way that typewriter poetry reproduces the features of the painting. Cluver also compares Haroldo DeCampos' type Concrete Poem "branco branco..." to Mondrian's "Composition with Red and Black" of 1936. -- Source of annotation: Marvin or Ruth Sackner.