In this book, Isou writes an essay about Satie's work. -- Source of annotation: Marvin or Ruth Sackner.

The paper in this book was presented at the first International Symposium on Letterism. Mentions that James Joyce was Isou's earliest inspiration. This book is stored in a Lemaitre box. -- Source of annotation: Marvin or Ruth Sackner.

This manuscript, published as a book that is also held by the Sackner Archive, was presented at the First International Symposium on Letterism. In the introduction, Failing focuses on Isou and mentions that James Joyce was his earliest inspiration. Takes up Lemaitre work when he is 24 years old and preparing his picture novel, Canailles. Note that even in his early works, Lemaitre's images can be distinguished from Isou in that they are more refined and contain a greater variety of shapes and lettering. -- Source of annotation: Marvin or Ruth Sackner.

Titled "Ana Etcetera" and includes supplement. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts lettriste publications and objects with annotations year by year over the period 1946 to 1977. The first page (cover) depicts a photographic reproduction of the first Lettriste manifesto (c.1946). A great many of the publications in this catalogue are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This copy is from the deluxe edition of five copies. The tirage of the ordinary edition without the drawing is not provided. -- Source of annotation: Marvin or Ruth Sackner.

This book is also designated Issue No.3 of a series entitled "Le Monde des grands musee." Isou discusses Lettrisme in the final 19 pages of this book that includes 54 b&w photographs of Lettrist works of art. Page 94 depicts Lemaitre's Sculpture inimaginable" (1964), a multiple redone in 1986 in 50 copies a work which is held by the Sackner Archive. The Sackner Archive also holds the ordinary editon of this book (1973). -- Source of annotation: Marvin or Ruth Sackner.

This book is also designated Issue No.3 of a series entitled "Le Monde des grands musee." Isou discusses Lettrisme in the final 19 pages of this book that includes 54 b&w photographs of Lettrist works of art. Page 94 depicts Lemaitre's Sculpture inimaginable" (1964), a multiple redone in 1986 in 50 copies which is held by the Sackner Archive. The Sackner Archive also holds the deluxe editon of this book (1974), one of 50 copies that includes a print by Isou. -- Source of annotation: Marvin or Ruth Sackner.

Other than Pomerand and Isou, the listing of 22 additional contributors to this issue are unfamiliar names. However, three of these contributors, e.g., Brasil, Claude Hirsch, and Charles Dobre contributed sound poems. This is the first Lettrist periodical. -- Source of annotation: Marvin or Ruth Sackner.

The spine of the folder is frayed and torn but the contents are in excellent condition. This is probably the finest example of varied experimental Lettrist writing. An essay on four mimeographed loose pages possibly by Isou and not a part of ths piece entitled"Quelques Certitudes Theologiques et Esthetiques" has been tucked into the cove runder the dust jacket.The ouside lithographs are identical from page to page and allread Isidoe Isou repetively accompamied by Lettrist hieroglphics. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds several of Dupont's bookworks listed and depicted in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This is number three in the Arkhive series of documents of the avant-garde. It consists of three sets of reprinted texts written by writers associated with Georges Bataille, some of whom were members of his Acephale group and others were members of Surrealist groups in Paris and New York. What unites these texts is their form, which derives from that of dictionaries or encyclopaedias. The content of "Critical Dictionary" has several anti-religious themes as well as absurd texts with accompanying illustrations. -- Source of annotation: Marvin or Ruth Sackner.

David Seaman curated this exhibiton and contributed an essay tracing the routes of Lettrisme to the present day. The exhibition was reviewed in the Statesboro Herald. -- Source of annotation: Marvin or Ruth Sackner.

In Lemaitre's essay, he mentions that that only 200 bound copies of Les Journaux Des Dieux were delivered for distribution because there were insufficent funds to pay him - "which of course makes the saved volumes extremely valuable." The books as well as prints and printed plates depicted in this exhibition consisted of 'Les Journal des Dieux' [The God's Diaries], 'Initiation a la haute volupte' [Initiation to High Voluptuousness], and 'Jonas.' -- Source of annotation: Marvin or Ruth Sackner.

This book has a very dense text about Isou's philosophy without illustrations. -- Source of annotation: Marvin or Ruth Sackner.

The texts written by Isou, Satie and Bermond enlarge on the Lettrist philosophy. The book is illustrated with documentary photographs and original Lettrist works. -- Source of annotation: Marvin or Ruth Sackner.